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Chris Marker's Real and Unreal Japan : Sans Soleil as Intercultural Document

Chris Marker's Real and Unreal Japan : Sans Soleil as Intercultural Document
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Chapter 3. Happiness with a Long Piece of Black Leader: Chris Marker’s Sans soleil

Black and Blue, 2020

semanticscholar   +4 more sources

Les années sans soleil by Vincent Message (review)

The French Review, 2022
F. R. Jurney
semanticscholar   +2 more sources

bronzage sans soleil

2007
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Sonsoles Hernández Barbosa, Vidas excitadas. Sensorialidad y capitalismo en la cultura moderna. Vitoria-Gasteiz: Sans Soleil Ediciones, 2022, 275 pp.

Mayurqa
Resum Ressenya del llibre Vidas excitadas. Sensorialidad y capitalismo en la cultura moderna (2022), de Sonsoles Hernández Barbosa.
Cèlia Cuenca Córcoles
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A Hint of Industrial Espionage in the Eye: Orientalism, Essayism, and the Politics of Memory in Chris Marker's Sans Soleil

Quarterly Review of Film and Video, 2018
Midway through Chris Marker’s 1982 film Sans Soleil we are introduced to the “Zone,” a world of computer-processed film images resembling infrared heat maps, with their various topographic levels colored in deeply saturated contrasting shades, as shown ...
T. Alexander
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Sans soleil (1982) – das Bild zwischen Aktualität und Virtualität

2010
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La mémoire numérique de Chris Marker - Reflets et désirs des images sans soleil

, 2015
Chris Marker est l'un des premiers à avoir ouvert son oeuvre aux images électroniques, aux images synthétisées, puis aux images numériques. Si Lettre de Sibérie et La jetée, en dévoilant la machinerie propre à l'image cinématographique, examinent les possibilités du montage, avec Sans soleil et Level Five, ou encore avec Immemory et les expé
Anne Dalmasso
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Le soleil électrique. De l’habitat sans fenêtres à l’urbanisme souterrain

Bulletin d'histoire de l'électricité, 2000
L'invention de la lumiere electrique et l'eclairage ont transforme l'architecture et ont ete un tournant dans l'histoire de l'urbanisme. Les arts de la lumiere electrique ont ainsi repousse les limites de la ville et de l'immeuble dont l'A.
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Film also ages: time and images in Chris Marker's Sans soleil

Studies in French Cinema, 2006
AbstractConsidered today as a seminal and essential figure for an understanding of the implications of our visual culture, Chris Marker and his films have only recently received widespread critical attention. However; many aspects of his work in non-fiction still remain under-studied, most notably his complex reflections on the temporal nature of ...
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