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Formally Hedonist: Sarduy’s Queer Baroque
MLNAbstract: Roland Barthes used the initials S.S. in the margins of A Lover’s Discourse to conjure Severo Sarduy’s queer aesthetics of the Neo-Baroque. This article places the figure of the Cuban exile Severo Sarduy within the history of French theory; his revolutionary hedonism modeled the anamorphic, elliptically shaped thinking that marked not only ...
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Por ‘Fandangos’: Severo Sarduy y el duende
Hispanic Research Journal, 2017Pedro Antonio Férez Mora
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La poética de Severo Sarduy: la conciliación neobarroca entre la modernidad y la postmodernidad
Neophilologus, 2012Pedro Antonio Férez Mora
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