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Reverencias en los márgenes de la enfermedad: un homenaje de Pablo Pérez a Severo Sarduy
El Pez y la Flecha. Revista de Investigaciones LiterariasEste ensayo propone una lectura de Un año sin amor, del escritor argentino Pablo Pérez, como un homenaje a Severo Sarduy, precursor de la escritura seropositiva en América Latina.
Rodney Lebrón Rivera
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A Baroque Tomb for Severo Sarduy’s Barroco and Other Writings
International Conference on Machine Learning for Networking:On the account offered by Severo Sarduy in Barroco, the advent of the Baroque is triggered by the shift from the circular cosmos of Copernicus to the elliptical cosmos of Kepler: a cosmos without a single center. This article shows that this transition,
Bruno Bosteels
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Contemporary Literature, 1987
In some of his books Paul Val6ry uses as epigraph a line from G6ngora, and even though he misquotes it, his mistake is a perfect illustration of my argument. "En rocas de cristal," cites Val6ry, "serpiente breve" (in crystal rocks a brief serpent). His own biases lead him to believe that those serpents must have wriggled across a static, contrasting ...
Roberto Gonzalez Echevarria, null Sarduy
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In some of his books Paul Val6ry uses as epigraph a line from G6ngora, and even though he misquotes it, his mistake is a perfect illustration of my argument. "En rocas de cristal," cites Val6ry, "serpiente breve" (in crystal rocks a brief serpent). His own biases lead him to believe that those serpents must have wriggled across a static, contrasting ...
Roberto Gonzalez Echevarria, null Sarduy
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MOCTEZUMA'S REVENGE, OR, SARDUY IN PRINCETON
The Princeton University Library Chronicle, 2012R. Gallo
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Severo Sarduy en Cuba (1953-1961)
America, 1998Aínsa Fernando. Severo Sarduy en Cuba (1953-1961). In: América : Cahiers du CRICCAL, n°20, 1998. Le néo-baroque. pp. 79-81.
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Deseo y escritura en Severo Sarduy
America, 1998López Amadeo. Deseo y escritura en Severo Sarduy. In: América : Cahiers du CRICCAL, n°20, 1998. Le néo-baroque. pp. 99-116.
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Por ‘Fandangos’: Severo Sarduy y el duende
, 2017Pedro Antonio Férez Mora
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