Results 1 to 10 of about 75 (69)
Field of the Administrative Geography of the Sasanian Empire on the Auspicious Occasion of the Publication of La Géographie Administrative de l’Émpire Sassanide. Les Témoignages Épigraphiques en Moyen-Perse [PDF]
The political and administrative structures of the Sasanian Empire have been the focus of numerous research. For the rather recent developments of the subject, though, Rika Gyselen’s studies have been crucial.
Hossein Habibi
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Critique de la notion de mythe littéraire chez Philippe Sellier et Pierre Brunel : une autre vision
Cet article critique la conception du mythe littéraire chez Philippe Sellier et Pierre Brunel, pour lesquels les mythes littéraires sont issus des mythes ethno-religieux et n’ont pas leur source dans la littérature.
Abolghasem Ghiasizarch
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DIFFÉREND RELIGIEUX ET VIOLENCE DANS LES JARDINS DE LUMIÈRE D’AMIN MAALOUF [PDF]
Résumé : Dans son roman Les jardins de lumière, Amin Maalouf dresse le portrait d’une nouvelle religion qui se veut réconciliatrice et universelle. Mani, le héros du roman, tente de s’opposer aux ténèbres en s’appuyant sur un discours pacifique qui ...
Ahmed ESSALHI
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La musique, la danse et le vin: Festivités et rituels à Nishapur aux IXᵉ–Xᵉ siècles
Cet article explore la culture visuelle de Nishapur aux IXᵉ–Xᵉ siècles à travers l’étude de ses céramiques polychromes, où musique, danse et vin apparaissent comme des vecteurs rituels et sociaux.
Sheila Samavaki
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SASSANID ARMOR: BACKGROUND, DEVELOPMENT AND TECHNOLOGY
The aim of this article is to study the Sassanid armor types and their construction methods based on Sassanid rock reliefs, surviving fragments, armor depicted on Sassanid dishes and stone statues in Iran. The article explains the construction methods of different armor types used by the Sassanids during their rule and how Sassanids influenced the ...
Manouchehr Moshtagh Khorasani +2 more
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Sassanid Seals’ Motifs presented in bestial, vegetative and human forms, indicate the effect and influence of mythical beliefs symbols and religious beliefs. The main part of these illustrations are based on khvarenah and gods of Zoroastrian religion and also partly from other cultures and civilizations.
F. Mahmoudi, N. Marandi
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Music in Sassanid period 224-651 A
Music has an ancient history. It refers to the presence of a human being on earth, where he learned from nature and imitated sounds around him, and for this he created musical instruments and felt the joy and positive power. Music had a presence in all stages of human history, until it reached the era of the Sasanians and flourished reached the top ...
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The Sassanid and the Policy of Zoroastrization of Armenia
Since the middle of Arsacid Empire to the end of the Sassanid era, Armenia had always been the center of conflicts between these two great ancient powers, Iranians and Romans. Armenia was one of the Iranian Satrapies in the Achaemenid period named Armenia. In an agreement with the Roman government, a branch of Arsacid royal family ruled there since the
Mohammad Taqi Imanpour +2 more
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The Legal Personality of State in the Sassanid Era
There has been valuable research on the socio-political structure of the Sassanid era. Most have described Sassanid society as an example of feudal or authoritarian Eastern societies. But the historical evidence is not entirely consistent with these two theories.
Parham Mehraram, Mohammad Seyed Fatemi
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Plant designs in Sassanid Period moldings
Sassanid Dynasty art is considered as digest of all Iran ages art. The most characteristic of Sassanid art is its decorative designs and one appearance of the design is in the period moldings that has flourished in the period. Molding is more specific and more advanced from the application point and work model among different Sassanid arts.
Khazaeimask, Somaye +1 more
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