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2022
This chapter sets out the modal repertoire of satire and charts the different stylistic choices made by poets across the sixteenth century as they engage with Juvenal’s dictum that ‘it is hard not to write satire’. It begins with the multivocality of John Skelton’s early Tudor satire, with its medley of varied styles, and the responses to his Colin ...
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This chapter sets out the modal repertoire of satire and charts the different stylistic choices made by poets across the sixteenth century as they engage with Juvenal’s dictum that ‘it is hard not to write satire’. It begins with the multivocality of John Skelton’s early Tudor satire, with its medley of varied styles, and the responses to his Colin ...
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At first glance, satire seems well-equipped to critique and to mitigate the structures of white supremacy that Atlanta chronicles. The “normative” view of satire articulated by Northrop Frye, however, sees satirists as instruments of liberalism’s optimistic teleology, meaning they can influence Western civilization’s social contract only by defending ...
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Abstract English poetic satire rises and develops in the seventeenth century. Despite the revolutions and counter-revolutions that constitute high politics in this turbulent era, the mode of poetic satire expresses patterns that unify writers across partisan divides.
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From “Saving Satir” to “Evolving Satir”
Social Work, 2016Bonnie K, Lee, Martin, Rovers
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2005
Abstract According to conventional literary histories, Romantic literature is predominantly sincere, spontaneous, subjective, otherworldly, and transcendent. Satire, on the other hand, is usually understood as rhetorical, strategic, worldly, and topical.
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Abstract According to conventional literary histories, Romantic literature is predominantly sincere, spontaneous, subjective, otherworldly, and transcendent. Satire, on the other hand, is usually understood as rhetorical, strategic, worldly, and topical.
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