Results 41 to 50 of about 371 (130)
Reading for musical knowledge in early sixteenth‐century Italy: Introduction
Abstract The essays included here present case studies prepared within the project ‘Sounding the Bookshelf 1501: Music in a Year of Italian Printed Books’, funded by the Leverhulme Trust and hosted at the University of Sheffield. The project asks a simple question: standing in a Venetian bookshop towards the end of the year 1501, what information about
Tim Shephard +3 more
wiley +1 more source
Giovanni Pontano hears the street soundscape of Naples
Abstract Giovanni Pontano’s dialogue Antonius can be read almost as a thick description of the soundscape of a Neapolitan street in the mid‐ to late‐15th century, complete with public announcements, street performers, domestic arguments, workers’ banter, charms and spells, processions, errand boys, bells, clocks, cockerels, and much more.
Tim Shephard, Melany Rice
wiley +1 more source
«JUST ACCEPT FAITH AND JUST BELIEVE IT»
One of the leading political and cultural centers of Renaissance Italy was the city of Florence at the end of the XV-th century. It became a field for reform activities of a Dominican monk Girolamo Savonarola. Dominican's preaching was a primary means of
E. Telmenko
doaj
El cometa Halley, Ricardo Palma y un artículo embozado
Ricardo Palma publicó en la revista limeña Variedades, en 1910, un artículo jocoso sobre el próximo paso del cometa Halley, desconocido hasta el día de hoy por haber salido bajo el seudónimo Savonarola.
Oswaldo Holguín Callo
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‘De voluptate aurium’: The sounds of heaven in a 1501 sensory treatise on the afterlife
Abstract In his De gloria et gaudiis beatorum, printed in 1501, the clergyman Zaccaria Lilio explores a popular topic in the religious life of Renaissance Italy: what is heaven like and what kind of experience awaits the blessed there? And his answer represents a snapshot of a characteristic manner in which heaven was imagined in the period, both in ...
Laura Ștefănescu
wiley +1 more source
The present contribution aims to interpret a series of sermons pronounced by Savonarola in Florence on several occasions, mainly between 1495 and 1497.
Marco Versiero
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Le « bruit visuel » dans les Sermons sur Aggée de Savonarole
In his sermons devoted to the cycle of Haggai (1 November-28 December 1494), Savonarola leads his followers, through a process of visualization, to open the “eye of their mind”, so that they have access to the celestial world and can get divine knowledge.
Jean-Marc Rivière
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The relationship between the Florentine philosophical culture of the 15th century and the Dominican friar Girolamo Savonarola is analyzed by means of his two collections of philosophical notes, De doctrina Aristotelis and De doctrina Platonicorum.
Lorenza Tromboni
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Reseña de Girolamo Savonarola: Ensayos sobre profecía y filosofía en el Renacimiento italiano de Jorge VELÁZQUEZ DELGADO, p. 357.
Silvestre Manuel Hernández
doaj
«TREATISE ON THE MIRACLES» OF GIROLAMO SAVONAROLA
The use of the achievements of various directions of historical research enables us to address new questions to already well-known sources, an example of which is the collection of stories about the lifetime and posthumous miracles of the Florentine ...
E. Telmenko
doaj

