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2010
J. A. Fuller Maitland (1856–1936), whose Masters of German Music is also reissued in this series, was music critic of The Times for 22 years, was the editor of the second edition of Grove's Dictionary of Music and Musicians, prepared an edition of the Fitzwilliam Virginal Book, and also worked on Purcell and on folk song. This biography of Schumann, in
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J. A. Fuller Maitland (1856–1936), whose Masters of German Music is also reissued in this series, was music critic of The Times for 22 years, was the editor of the second edition of Grove's Dictionary of Music and Musicians, prepared an edition of the Fitzwilliam Virginal Book, and also worked on Purcell and on folk song. This biography of Schumann, in
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1998
Abstract Robert Schumann was born in Zwickau, Saxony, on 8 June 1810 and died, insane, at Endenich, near Bonn, on 29 July 1856. Some reference works give him a middle name, Alexander, but that is a fiction. Schumann composed his Cello Concerto, which he listed in his own catalogue as a ‘ ‘Concertstuck ‘ ‘ for cello and orchestra, between
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Abstract Robert Schumann was born in Zwickau, Saxony, on 8 June 1810 and died, insane, at Endenich, near Bonn, on 29 July 1856. Some reference works give him a middle name, Alexander, but that is a fiction. Schumann composed his Cello Concerto, which he listed in his own catalogue as a ‘ ‘Concertstuck ‘ ‘ for cello and orchestra, between
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2001
Abstract Robert Schumann, one of the most beloved composers of the Romantic movement, embodied the passion and imaginative spirit of his age. Known for his musical and literary genius and his legendary romance with his wife Clara, Schumann was also plagued with debilitative bouts of depression that led him to live his last days in a ...
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Abstract Robert Schumann, one of the most beloved composers of the Romantic movement, embodied the passion and imaginative spirit of his age. Known for his musical and literary genius and his legendary romance with his wife Clara, Schumann was also plagued with debilitative bouts of depression that led him to live his last days in a ...
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The Musical Quarterly, 2004
The most prominent composers in Germany during the 1850s-Berlioz, Liszt, Wagner, and Schumann-all liked to be compared to Byron.1 Berlioz thought he bore a physical resemblance to the poet and, in his youth, sought connections between their lives: he searched out Byron's acquaintances while traveling in Italy, read the "burning verse" in a confessional
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The most prominent composers in Germany during the 1850s-Berlioz, Liszt, Wagner, and Schumann-all liked to be compared to Byron.1 Berlioz thought he bore a physical resemblance to the poet and, in his youth, sought connections between their lives: he searched out Byron's acquaintances while traveling in Italy, read the "burning verse" in a confessional
openaire +1 more source