Results 171 to 180 of about 42,480 (226)
Some of the next articles are maybe not open access.
2015
A number of contemporary theorists have reiterated Osip Brik and Béla Balazs's claims that the screenplay is not an autonomous literary work, not an "independent object". Echoing Balazs's remarks on the relationship between screenplay and film, Barbara Korte and Ralf Schneider suggest, "a screenplay is 'absorbed' into one film only", that it is ...
openaire +3 more sources
A number of contemporary theorists have reiterated Osip Brik and Béla Balazs's claims that the screenplay is not an autonomous literary work, not an "independent object". Echoing Balazs's remarks on the relationship between screenplay and film, Barbara Korte and Ralf Schneider suggest, "a screenplay is 'absorbed' into one film only", that it is ...
openaire +3 more sources
2018
This thesis argues that screenplays have, throughout their history, been overlooked, undervalued, and misrepresented in ways that obscure them as works of creative writing. Restoring writing and creativity to the definition and analysis of screenplays, against metaphors that reduce them to industrial or technical documents, the ...
openaire +1 more source
This thesis argues that screenplays have, throughout their history, been overlooked, undervalued, and misrepresented in ways that obscure them as works of creative writing. Restoring writing and creativity to the definition and analysis of screenplays, against metaphors that reduce them to industrial or technical documents, the ...
openaire +1 more source
The Triptych and the Screenplays
2017This chapter establishes three of Alfred Hitchcock's films—Psycho (1960), The Birds (1963), and Marnie (1964)—as the focal points of this study. At the same time the chapter explores his professional relationships with the three screenwriters who had worked on these films (Joseph Stefano, Evan Hunter, and Jay Presson Allen), and the historical and ...
Walter Raubicheck, Walter Srebnick
openaire +1 more source
2013
There is something quixotic about the pursuit of the ‘first screenplay’, which as Steven Maras warns ‘has proven unhelpful’ because ‘the search for firsts and origins can have the tendency to “fix” the landscape in particular ways, leading to a reductive view of the development and institutionalisation of screenwriting’.1 Yet posing the question can ...
openaire +1 more source
There is something quixotic about the pursuit of the ‘first screenplay’, which as Steven Maras warns ‘has proven unhelpful’ because ‘the search for firsts and origins can have the tendency to “fix” the landscape in particular ways, leading to a reductive view of the development and institutionalisation of screenwriting’.1 Yet posing the question can ...
openaire +1 more source