Results 171 to 180 of about 5,598 (231)
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2023
Abstract The value of reading a film’s screenplay (not a transcription of the completed movie) and the questions this may raise are explained in this chapter. Such a reading—through any omissions, additions, or revisions—can reveal the substrata and development of the narrative and its representation on the screen.
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Abstract The value of reading a film’s screenplay (not a transcription of the completed movie) and the questions this may raise are explained in this chapter. Such a reading—through any omissions, additions, or revisions—can reveal the substrata and development of the narrative and its representation on the screen.
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2019
This chapter offers a critical survey of philosophical debate about the nature and definition of screenplays, their relationship to finished motion pictures, and the screenwriter’s claim to authorship. Screenwriting may be studied as a kind of (literary) art practice in its own right and as an integral part of most sorts of filmmaking.
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This chapter offers a critical survey of philosophical debate about the nature and definition of screenplays, their relationship to finished motion pictures, and the screenwriter’s claim to authorship. Screenwriting may be studied as a kind of (literary) art practice in its own right and as an integral part of most sorts of filmmaking.
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2010
This chapter explores the various facets of screenPLAY, an interactive video intervention for at-risk teens, which presents social skills in a medium that is both familiar and motivating to this age group. The chapter begins with a discussion of the pedagogical ideas that motivated the creation of screen- PLAY, from the necessity to move away from a ...
Evelyne Corcos, Peter Paolucci
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This chapter explores the various facets of screenPLAY, an interactive video intervention for at-risk teens, which presents social skills in a medium that is both familiar and motivating to this age group. The chapter begins with a discussion of the pedagogical ideas that motivated the creation of screen- PLAY, from the necessity to move away from a ...
Evelyne Corcos, Peter Paolucci
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2015
A number of contemporary theorists have reiterated Osip Brik and Béla Balazs's claims that the screenplay is not an autonomous literary work, not an "independent object". Echoing Balazs's remarks on the relationship between screenplay and film, Barbara Korte and Ralf Schneider suggest, "a screenplay is 'absorbed' into one film only", that it is ...
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A number of contemporary theorists have reiterated Osip Brik and Béla Balazs's claims that the screenplay is not an autonomous literary work, not an "independent object". Echoing Balazs's remarks on the relationship between screenplay and film, Barbara Korte and Ralf Schneider suggest, "a screenplay is 'absorbed' into one film only", that it is ...
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Screenwriting and translating screenplays
2008info:eu-repo/semantics ...
Patrick Cattrysse, Yves Gambier
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2018
This thesis argues that screenplays have, throughout their history, been overlooked, undervalued, and misrepresented in ways that obscure them as works of creative writing. Restoring writing and creativity to the definition and analysis of screenplays, against metaphors that reduce them to industrial or technical documents, the ...
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This thesis argues that screenplays have, throughout their history, been overlooked, undervalued, and misrepresented in ways that obscure them as works of creative writing. Restoring writing and creativity to the definition and analysis of screenplays, against metaphors that reduce them to industrial or technical documents, the ...
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The Triptych and the Screenplays
2017This chapter establishes three of Alfred Hitchcock's films—Psycho (1960), The Birds (1963), and Marnie (1964)—as the focal points of this study. At the same time the chapter explores his professional relationships with the three screenwriters who had worked on these films (Joseph Stefano, Evan Hunter, and Jay Presson Allen), and the historical and ...
Walter Raubicheck, Walter Srebnick
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