Results 71 to 80 of about 42,480 (226)

Screenplay Discourses: Bridging the Screenplay-Film Divide

Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 2014
This article suggests that screenplay studies should pay more attention to the meaning that screenwriting and the screenplay are given around, and after, the release of finished films. A review of existing screenwriting and screenplay theory reveals that in the past ten years there has been a tendency to reconsider these terms, relating them to the ...
openaire   +2 more sources

Story Development in Cinematography [PDF]

, 2011
First off, I’ve got to argue for the use of the word “cinematography” over “camera”. One is to utilize a word I would like to further unpack. Another is to utilize a word that simply implies a relationship to another art form entirely – photography.
Anderson, L
core  

From Shorty Blake to Tubby Binns : Dunkirk and the Representation of Working-Class Masculinity in Postwar British Cinema [PDF]

, 2012
Publisher PDFPeer ...
Plain, Gill
core   +1 more source

“Are you Navajo or Inuit?” Identity, television dialogue, and Indigenizing semiotics

Journal of Linguistic Anthropology, Volume 35, Issue 1, May 2025.
Abstract This study analyzes Indigenizing semiotic tactics in television narratives from the United States, combining corpus linguistic methodology with a theoretical framing inspired by linguistic anthropology. Given recent changes in the US television landscape, we analyze two landmark series with First Nations showrunners: Reservation Dogs and ...
Monika Bednarek, Barbra A. Meek
wiley   +1 more source

Creative Components of Film as Social Mechanisms of Meaning Production in Mass Communication

Вісник Харківського національного університету імені В.Н. Каразіна. Серія: Соціологічні дослідження сучасного суспільства: методологія, теорія, методи
The article analyzes the creative components of film as social mechanisms for producing meanings in mass communication. Cinema is considered not only as an art form but also as a media text that encodes and transmits cultural and social meanings through ...
Oleksandra Zinchyna, Yana Kundenko
doaj   +1 more source

The ACT‐ON Ideas Framework: A Contingency Perspective on Creative Self‐Regulation

The Journal of Creative Behavior, Volume 59, Issue 1, March 2025.
ABSTRACT Creative action is idiosyncratic. Not only do creators differ in their approaches to creative work, but creative endeavors differ in complexity, scale, and level of difficulty, meaning that the self‐regulation strategies people use to manage themselves and their ideas from creative ideation to implementation may differ.
Tin L. Nguyen, Rohan Prabhu
wiley   +1 more source

Genre Features of Professional Screenplays in Russia in 1910s: Theory and Practice

Научный диалог
The article explores the genre dominants of Silver Age screenplays. Theoretical concepts of film dramaturgy are applied to the texts of A. A. Khanzhonkov’s “From the World of Mystery” (1915) and A. S. Voznesensky’s “God” (1918). The scientific novelty of
A. G. Plotnikova
doaj   +1 more source

Inojezična kazališna radionica: prednosti trivijalnoga žanra u dramsko-kazališnom pristupu

Slavia Meridionalis, 2018
Theatre workshop as a foreign language teaching tool: advantages of “trivial literature” in the dramatic-theatrical approach The aim of this paper is to demonstrate the advantages of dramatic-theatrical approach to foreign language teaching as ...
Ana Kodrić Gagro
doaj   +1 more source

The Book of Genesis and other allegorical origin stories of games

Orbis Litterarum, Volume 80, Issue 1, Page 1-18, February 2025.
Abstract This essay delves into the complex interplay between the sacred and the ludic, with a particular emphasis on allegorical origin stories from various religious and mythological traditions, highlighting their portrayal of games and the concept of play. The analysis includes the Judaeo‐Christian Book of Genesis and the Babylonian Enuma Elish.
Bo Kampmann Walther
wiley   +1 more source

Da escrita de imagens do filme Au bord du monde [PDF]

Pessoa Plural
Review of the film Au bord du monde – Fernando Pessoa (1992)
Levy, Joanise
doaj   +1 more source