Results 71 to 80 of about 5,598 (231)

“Are you Navajo or Inuit?” Identity, television dialogue, and Indigenizing semiotics

open access: yesJournal of Linguistic Anthropology, Volume 35, Issue 1, May 2025.
Abstract This study analyzes Indigenizing semiotic tactics in television narratives from the United States, combining corpus linguistic methodology with a theoretical framing inspired by linguistic anthropology. Given recent changes in the US television landscape, we analyze two landmark series with First Nations showrunners: Reservation Dogs and ...
Monika Bednarek, Barbra A. Meek
wiley   +1 more source

Crossroads. Screenplay. [PDF]

open access: yes, 2006
Screenplay for the movie Crossroads, written by John Fusco.
Fusco, John
core  

Genre Features of Professional Screenplays in Russia in 1910s: Theory and Practice

open access: yesНаучный диалог
The article explores the genre dominants of Silver Age screenplays. Theoretical concepts of film dramaturgy are applied to the texts of A. A. Khanzhonkov’s “From the World of Mystery” (1915) and A. S. Voznesensky’s “God” (1918). The scientific novelty of
A. G. Plotnikova
doaj   +1 more source

Screenwriting is Rewriting: The Art and Craft of Professional Revision, by Jack Epps, Jr.

open access: yesAlphaville: Journal of Film and Screen Media, 2017
Besides being a famous screenwriter for Hollywood films such as Top Gun (Tony Scott, 1986)and Dick Tracy (Warren Beatty, 1990), Jack Epps, Jr. is also an Associate Professor and the Chair of University of Southern California’s Writing for Screen and ...
Göksu Akkan
doaj   +1 more source

The ACT‐ON Ideas Framework: A Contingency Perspective on Creative Self‐Regulation

open access: yesThe Journal of Creative Behavior, Volume 59, Issue 1, March 2025.
ABSTRACT Creative action is idiosyncratic. Not only do creators differ in their approaches to creative work, but creative endeavors differ in complexity, scale, and level of difficulty, meaning that the self‐regulation strategies people use to manage themselves and their ideas from creative ideation to implementation may differ.
Tin L. Nguyen, Rohan Prabhu
wiley   +1 more source

Road Rovers: A Screenplay [PDF]

open access: yes, 2005
Screenplay
Snow, Kathleen Duerr
core  

Fire Man (a screenplay) [PDF]

open access: yes, 1998
Original ...
Magary, Andrew
core  

Creative Components of Film as Social Mechanisms of Meaning Production in Mass Communication

open access: yesВісник Харківського національного університету імені В.Н. Каразіна. Серія: Соціологічні дослідження сучасного суспільства: методологія, теорія, методи
The article analyzes the creative components of film as social mechanisms for producing meanings in mass communication. Cinema is considered not only as an art form but also as a media text that encodes and transmits cultural and social meanings through ...
Oleksandra Zinchyna, Yana Kundenko
doaj   +1 more source

The Book of Genesis and other allegorical origin stories of games

open access: yesOrbis Litterarum, Volume 80, Issue 1, Page 1-18, February 2025.
Abstract This essay delves into the complex interplay between the sacred and the ludic, with a particular emphasis on allegorical origin stories from various religious and mythological traditions, highlighting their portrayal of games and the concept of play. The analysis includes the Judaeo‐Christian Book of Genesis and the Babylonian Enuma Elish.
Bo Kampmann Walther
wiley   +1 more source

Screenwriting 2.0: What are the possibilities of screenplay 'datafication'?:How the screenplay as data can impact creating and managing, presenting and sharing, analyzing and visualizing textual screenplay content. [PDF]

open access: yes, 2014
Screenwriting software applications have traditionally focused on the screenplay as document, essentially enabling writers to create screenplays in an industry standard format that can be printed or distributed electronically.
McKie, Stewart
core  

Home - About - Disclaimer - Privacy