Results 71 to 80 of about 5,598 (231)
“Are you Navajo or Inuit?” Identity, television dialogue, and Indigenizing semiotics
Abstract This study analyzes Indigenizing semiotic tactics in television narratives from the United States, combining corpus linguistic methodology with a theoretical framing inspired by linguistic anthropology. Given recent changes in the US television landscape, we analyze two landmark series with First Nations showrunners: Reservation Dogs and ...
Monika Bednarek, Barbra A. Meek
wiley +1 more source
Genre Features of Professional Screenplays in Russia in 1910s: Theory and Practice
The article explores the genre dominants of Silver Age screenplays. Theoretical concepts of film dramaturgy are applied to the texts of A. A. Khanzhonkov’s “From the World of Mystery” (1915) and A. S. Voznesensky’s “God” (1918). The scientific novelty of
A. G. Plotnikova
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Screenwriting is Rewriting: The Art and Craft of Professional Revision, by Jack Epps, Jr.
Besides being a famous screenwriter for Hollywood films such as Top Gun (Tony Scott, 1986)and Dick Tracy (Warren Beatty, 1990), Jack Epps, Jr. is also an Associate Professor and the Chair of University of Southern California’s Writing for Screen and ...
Göksu Akkan
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The ACT‐ON Ideas Framework: A Contingency Perspective on Creative Self‐Regulation
ABSTRACT Creative action is idiosyncratic. Not only do creators differ in their approaches to creative work, but creative endeavors differ in complexity, scale, and level of difficulty, meaning that the self‐regulation strategies people use to manage themselves and their ideas from creative ideation to implementation may differ.
Tin L. Nguyen, Rohan Prabhu
wiley +1 more source
Creative Components of Film as Social Mechanisms of Meaning Production in Mass Communication
The article analyzes the creative components of film as social mechanisms for producing meanings in mass communication. Cinema is considered not only as an art form but also as a media text that encodes and transmits cultural and social meanings through ...
Oleksandra Zinchyna, Yana Kundenko
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The Book of Genesis and other allegorical origin stories of games
Abstract This essay delves into the complex interplay between the sacred and the ludic, with a particular emphasis on allegorical origin stories from various religious and mythological traditions, highlighting their portrayal of games and the concept of play. The analysis includes the Judaeo‐Christian Book of Genesis and the Babylonian Enuma Elish.
Bo Kampmann Walther
wiley +1 more source
Screenwriting 2.0: What are the possibilities of screenplay 'datafication'?:How the screenplay as data can impact creating and managing, presenting and sharing, analyzing and visualizing textual screenplay content. [PDF]
Screenwriting software applications have traditionally focused on the screenplay as document, essentially enabling writers to create screenplays in an industry standard format that can be printed or distributed electronically.
McKie, Stewart
core

