Results 111 to 120 of about 235 (171)
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Journal of Film and Video, 2017
Throughout the Stalin period cinema experienced a perpetual “scenario crisis,” or a shortage of suitable screenplays. This was due to the lack of professionalization in Soviet screenwriting and to the director-centered mode of production. Studios had no personnel to convert potential stories into solid, censorship-proof scripts, and directors had an ...
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Throughout the Stalin period cinema experienced a perpetual “scenario crisis,” or a shortage of suitable screenplays. This was due to the lack of professionalization in Soviet screenwriting and to the director-centered mode of production. Studios had no personnel to convert potential stories into solid, censorship-proof scripts, and directors had an ...
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Screenwriting and translating screenplays
2008info:eu-repo/semantics ...
Patrick Cattrysse, Yves Gambier
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2004
A substantial update of the previous edition, Screenwriting: The Sequence Approach deconstructs recent feature films and offers a new section analysing popular television series. A proven screenwriting method in emotionally engaging an audience, the sequence approach emphasises the underlying motives of each story plot to better convey its ...
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A substantial update of the previous edition, Screenwriting: The Sequence Approach deconstructs recent feature films and offers a new section analysing popular television series. A proven screenwriting method in emotionally engaging an audience, the sequence approach emphasises the underlying motives of each story plot to better convey its ...
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Vasconcelos as Screenwriter: Bolívar Remembered
2009To talk about Jose Vasconcelos’s 1939 screenplay Simon Bolivar (Interpretacion) (Simon Bolivar [An Interpretation]), we need to retrace a bit of history. As we touched upon in Chap. 1, Mexico was one of the hemispheric sites of the 1930 centenary celebration of Bolivar’s passing. The year marked a new beginning.
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Screenwriting for Requirements Engineers
IEEE Software, 2007Writing good requirements is a skill - one that we can learn from other people who write for a living. In this issue, Barbara Norden describes how screenwriters do it and Sara Jones extrapolates some advice for requirements engineers.
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2021
Award-winning screenwriters reveal their Hollywood secrets in crafting brilliant stories and methodology through interviews with world-renowned UCLA screenwriting professor Lew Hunter. Naked Screenwriting includes interviews with Francis Ford Coppola, Billy Wilder, Oliver Stone, Bruce Joel Rubin, William Goldman, Julius Epstein ...
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Award-winning screenwriters reveal their Hollywood secrets in crafting brilliant stories and methodology through interviews with world-renowned UCLA screenwriting professor Lew Hunter. Naked Screenwriting includes interviews with Francis Ford Coppola, Billy Wilder, Oliver Stone, Bruce Joel Rubin, William Goldman, Julius Epstein ...
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The Psychology of Screenwriting
2013The Psychology of Screenwriting is more than an interesting book on the theory and practice of screenwriting. It is also a philosophical analysis of predetermination and freewill in the context of writing and human life in our mediated world of technology.
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Implicit Religion, 2015
Although Doctor Who in its earliest incarnations did little to include or question religious belief in its stories, over time there has been a growing tendency for the show to engage with religious themes. In this article I look at examples of this shift in narrative stance, and ask what might be behind the change.
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Although Doctor Who in its earliest incarnations did little to include or question religious belief in its stories, over time there has been a growing tendency for the show to engage with religious themes. In this article I look at examples of this shift in narrative stance, and ask what might be behind the change.
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The New Soundtrack, 2011
I have decided to call this talk ‘Screenwriting for Sound’ because of this crackpot theory I have been working on for quite a while now. It’s quite a radical theory in the film world; that sound design is not actually something that should only happen in post-production on a film or a video, but rather that sound design is something that needs to ...
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I have decided to call this talk ‘Screenwriting for Sound’ because of this crackpot theory I have been working on for quite a while now. It’s quite a radical theory in the film world; that sound design is not actually something that should only happen in post-production on a film or a video, but rather that sound design is something that needs to ...
openaire +1 more source