Results 141 to 150 of about 8,882 (169)
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Altering screenwriting frameworks through practice-based research: a methodological approach
New Writing, 2019The aim of this paper is to propose a methodology that practice-based screenwriters can employ to remodel an existing character framework for the writing of a commercially viable anti-heroine telep...
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The ‘De Santis case’: Screenwriting, political boycott and archival research
Journal of Screenwriting, 2014Abstract In the late 1940s and throughout the 1950s writer-director Giuseppe De Santis was the most successful Italian film-maker worldwide, thanks to box-office hits like the Oscar-nominated Riso amaro/Bitter Rice (1949). However, endless rows with producers, distributors and censorship soon forced him into professional exile until his ...
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Studies in Australasian Cinema, 2015
Although critical works relevant to screen production research exist, they are often fragmented (screen production placed alongside general media production) and, I want to suggest, not brave enough to embrace the term screen production research. With ‘dirty’ connotations to an industry some see far removed from the academy, screen production research ...
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Although critical works relevant to screen production research exist, they are often fragmented (screen production placed alongside general media production) and, I want to suggest, not brave enough to embrace the term screen production research. With ‘dirty’ connotations to an industry some see far removed from the academy, screen production research ...
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The role of fiction in screenwriting (as) research
2018Here the authors discuss the role of fiction in screenwriting practice research. The screenplays included in the ‘Screenplays as Research Artefacts ’special issue of TEXT present a range of stories, worlds, characters, visual scenarios and dialogue exchanges that function as vessels for theories and ideas.
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2015
Screenwriting as a research practice is rapidly emerging in the academy, extending the boundaries of the discipline beyond its history in vocational training. Offering a space in which new and established practitioners can incubate ideas and processes in ways that might otherwise not be possible – particularly in mainstream industry contexts, where ...
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Screenwriting as a research practice is rapidly emerging in the academy, extending the boundaries of the discipline beyond its history in vocational training. Offering a space in which new and established practitioners can incubate ideas and processes in ways that might otherwise not be possible – particularly in mainstream industry contexts, where ...
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A Survey of Research Fields and Topics in the Screenwriting Research Network
2017Synthetic survey of research interests and fields (and blind spots) of the Screenwriting Research Network (SRN) global community.
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Journal of Screenwriting
This exploratory report examines how college and university screenwriting programmes in the United States and the United Kingdom are currently responding to the rapid emergence and availability of generative artificial intelligence (AI) tools and the associated challenges and concerns they identify.
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This exploratory report examines how college and university screenwriting programmes in the United States and the United Kingdom are currently responding to the rapid emergence and availability of generative artificial intelligence (AI) tools and the associated challenges and concerns they identify.
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The special place of fiction in creative practice research: a screenwriting approach
2016Creative practice research has become a staple of many university research cultures, and is core to the work of many members of the Australian Screen Production Education and Research Association community. We know of its potential as a site of knowledge production and dissemination; we know of its fabric and guiding principles; and we know how to ...
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Screenwriters in the Academy: The Opportunities of Research-Led Practice
2023openaire +1 more source