Results 41 to 50 of about 275 (173)
Au diable le nihilisme ! Lenau, Méphistophélès et le dépassement du “mal du siècle”
Cahiers d’Études Germaniques, 2012 Having realised that religion is no fulfilling answer to existential questions, Lenau examines in his Faust the viability of various philosophical movements and reflects on the meaning of god, faith, mankind and the arts in the world and the society. The
Claude Paul
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Back into Focus: Women Filmmakers, the Amateur Trade Press and 1960s British Amateur Cinema
Gender &History, Volume 37, Issue 1, Page 348-364, March 2025.Abstract While recent scholarship has helped uncover specific stories of women in different commercial cinema industries, there remains a lacuna around the role of amateur women filmmakers within national amateur contexts. Where male amateur filmmaking has often been linked to a range of solitary or group‐based leisure pursuits, we cannot make the same
Keith M. Johnston
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Psychology &Marketing, Volume 41, Issue 12, Page 3124-3143, December 2024.Abstract Virtual influencers in various forms are capturing a growing share of ad spend from human influencers. Followers respond to virtual influencers much as if they were human, with engagement rates and measures of trust and source credibility that rival their human counterparts. However, there is an acute need for more nuanced understanding of the
Tippayanet Sorosrungruang +2 more
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Lars von Trier as Ivan Karamazov
Известия Уральского федерального университета. Серия 2: Гуманитарные науки, 2015 The article is devoted to the creative work of the contemporary Danish director and scriptwriter Lars von Trier. The author puts forward and substantiates a hypothesis about the kindred character of his cinematographic work to the artistic world of F. M.
Olga Naumovna Turysheva
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The Motherland and the Fight with Fascism: War Cult and War Film under Brezhnev (1965–82)
The Russian Review, Volume 83, Issue 4, Page 595-613, October 2024.Abstract This article, based on extensive archival documentation, newspapers, and periodicals, examines the impact upon the Soviet film industry of shifts in top‐level policy relating to representation of the war. It contends that Leonid Brezhnev’s May 8, 1965, speech on the eve of Victory Day propounded an inclusive vision of the war (later sections ...
Catriona Kelly
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De la bande dessinée aux bandes écoutées
ComicalitésThe Blynd application has been offering the audio adaptation of successful comics in episodes and series since 2020. This study first analyzes the editorial positioning of the company (between cinema, sound and comics). Second theme: the “numerimorphosis”
Laurent Bozard
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Od umjetnosti riječi do 9. umjetnosti: Vidimo se tamo gore, roman i strip
[sic], 2018 Along with the introductory remarks on the relationship between novels and comics and their historically problematic status, this paper analyzes and interprets, from the perspective of creation, i.e.
Iva Šarić
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American Anthropologist, Volume 126, Issue 3, Page 434-445, September 2024.Abstract As a pandemic‐era collaborative writing project undertaken amid rising geopolitical tensions, this article demonstrates understanding humor in contemporary China as an ethnographic project leading toward deep, empathetic knowledge at a time when in‐person fieldwork became difficult.
Jing Xu, Yang Zhan
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Ana Mariscal: The first producer and cinematographic director in the Spanish postwar censured
Investigaciones Feministas, 2018 Ana Mariscal, known for her actress facet during post-war Franco period, was one of the pioneers in the Spanish production and direction field. However, it was an obscured, ignored and censured facet by the Franco regimen.
Begoña Gutiérrez San Miguel +1 more
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Journal of International Development, Volume 36, Issue 5, Page 2393-2413, July 2024.Abstract This article examines the intersection of humour and humanitarianism in engaging Northern audiences with global Southern poverty issues. It analyses witty social media campaigns that critique humanitarian practices and Africa’s representation, notably What’s Up Africa (WUA) on YouTube, Radi‐Aid on YouTube, Humanitarians of Tinder on Tumblr and
Edward Ademolu
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