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Introduction: On the Sea, By the Sea, Beneath the Sea
2014“Introduction” explains the main concepts of the “terrestrial” and “oceanic” that the author claims are always predominant in sea literature. By employing these concepts, the author proposes to divide sea literature into three types: on the sea, by the sea, and beneath the sea; thereby, we can better look at American sea literature from the colonial ...
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On Sea/At Sea – An Introduction
Performance Research, 2016The sea is a space beyond every coastline: a seemingly homogenous surface of restless, endless movement that connects all shores as a single, connected surface that bears no trace of the territorie...
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Aral Sea Basin: A Sea Dies, a Sea Also Rises
AMBIO: A Journal of the Human Environment, 2007The thesis of this article is quite different from many other theses of papers, books, and articles on the Aral Sea. It is meant to purposely highlight the reality of the situation in Central Asia: the Aral Sea that was once a thriving body of water is no more. That sea is dead. What does exist in its place are the Aral seas: there are in essence three
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Sea Art: The Mediterranean Sea Terrace Proposal
2010A new art form, Sea Art, is announced. Complementing Land Art, the artist/macroengineer authoring team hereby proposes a deliberate and particular Mediterranean Sea terracing project. Sea Art could constitute a needed new category of very controllable post-completion mitigation, viz., Macroengineering, a planning and decorative local sea level ...
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