Results 301 to 310 of about 1,170,038 (344)
Dynamic Illumination and Visual Enhancement of Surface Inspection Images of Turbid Underwater Concrete Structures. [PDF]
Sensors (Basel)Xu X +6 more
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Macrophytes and their sedimentary phosphorus niche in lowland rivers. [PDF]
PLoS OneKaijser W +3 more
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Microbial Selection and Functional Adaptation in Technical Snow: A Molecular Perspective from 16S rRNA Profiling. [PDF]
Int J Mol SciLenart-Boroń A +6 more
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Arsenic bioaccumulation in fish of the lower meghna river: Seasonal dynamics, species sensitivity, and public health implications. [PDF]
PLoS OnePaul SK +5 more
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Water Parameters Predicting the Seasonal and Spatial Dynamics of the Vibrio Harveyi- and Splendidus-Clade Pathogens. [PDF]
MicroorganismsRoyer K, Barkovskii AL.
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1985
The sediment of Lake Stechlin has been the subject of research many times, usually with the emphasis on biological aspects (Moller 1935; Schonborn et al. 1965; Vogt 1965).
G. Proft, G. Mothes
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The sediment of Lake Stechlin has been the subject of research many times, usually with the emphasis on biological aspects (Moller 1935; Schonborn et al. 1965; Vogt 1965).
G. Proft, G. Mothes
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JAMA, 1968
The sedimentation rate measures the rate of fall of erythrocytes in the plasma. The rate is accelerated when alterations in plasma protein fractions cause rouleau formation or aggregation of red blood cells due to change in physicochemical properties of plasma and erythrocyte surfaces.
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The sedimentation rate measures the rate of fall of erythrocytes in the plasma. The rate is accelerated when alterations in plasma protein fractions cause rouleau formation or aggregation of red blood cells due to change in physicochemical properties of plasma and erythrocyte surfaces.
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Journal of Chinese Philosophy, 2010
The theory of art as sedimentation as is originated from an anthropo-historical viewpoint peculiar of Li Zehou’s practical aesthetics. Up till now there still arises a question as regards whether or not the theory of art as sedimentation has overcome the difficulty in defining art as such.
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The theory of art as sedimentation as is originated from an anthropo-historical viewpoint peculiar of Li Zehou’s practical aesthetics. Up till now there still arises a question as regards whether or not the theory of art as sedimentation has overcome the difficulty in defining art as such.
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On the description and modelling of glacimarine sediments and sedimentation [PDF]
Geological Society, London, Special Publications, 1990 Abstract Models of glacimarine environments fall into two categories: (a) qualitative summaries of the depositional record; and (b) quantitative models of the physical processes of glacimarine sedimentation and their rates of operation.
James D. Scourse, Julian A. Dowdeswell
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