Results 11 to 20 of about 54,512,962 (278)
‘Seeing-as’ in the School Context [PDF]
‘Seeing-as’ in the school context is suggested as complementary to the customary planning of teaching in advance. Seeing-as has to do with a lived agreement between teacher and pupils. It can simply frame an activity or be very specific.
Silwa Claesson
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Perceptual Experience and Seeing-as [PDF]
According to Rorty, Davidson and Brandom, to have an experience is to be caused by our senses to hold a perceptual belief. This article argues that the phenomenon of seeing-as cannot be explained by such a conception of perceptual experience.
Daniel Enrique Kalpokas
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Seeing-in, seeing-as, seeing-with: Looking through pictures [PDF]
In the constitution of contemporary image theory, Ludwig Wittgenstein’s philosophy has undoubtedly become a major conceptual reference. Rather than trying to establish what Wittgenstein’s own image theory could possibly look like, this paper would like ...
Alloa, Emmanuel
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Wollheim, Wittgenstein, and Pictorial Representation: Seeing-as and Seeing-in
Pictorial representation is one of the core questions in aesthetics and philosophy of art. What is a picture? How do pictures represent things? This collection of specially commissioned chapters examines the influential thesis that the core of pictorial ...
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Visualising As Imagining Seeing [PDF]
In this paper, I would like to put forward the claim that, at least in some central cases, visualising consists literally in imagining seeing. The first section of my paper is concerned with a defence of the specific argument for this claim that M. G. F.
Dorsch, Fabian
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Adventures in Imaginative Seeing
Photograph of the exhibition "Adventures in Imaginative Seeing," December 7, 1958-January 15, 1959, held at the Dallas Museum of Fine ...
Dallas Museum of Fine Arts
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Elizabeth Bishop’s Grammar School for the Aspect-Blind and A-rhetorical
This paper uses Elizabeth Bishop’s poem, “Over 2000 Illustrations and a Complete Concordance” as an exemplar that displays the centrality of aspect perception in her work.
Walter Jost
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Summary form only given. Vision is the primary sense used in daily life. How do we "see" the world? Do we actually "see" it or rather "perceive" it? Or is it one and the same thing? How do people with optical eye defects perceive the world? Can normally sighted people partake in their experience? If you are blind or become blind, are you blind forever?
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The essays collected in this issue all stem from talks delivered at the International Conference, Aesthetic preferences, language games and forms of life: from Ludwig Wittgenstein, which was held on 23-25 January 2013 in the Aula Magna of the Faculty of ...
Jean-Pierre Cometti, Fabrizio Desideri
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Unseen Images. Imagination in the Making of Sabine Hertig’s Collages
This paper begins with a brief summary of a variety of theories on the creative process, addressing the question how unseen, surprising and intriguing images come about.
Michael Renner
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