Results 41 to 50 of about 183,654 (203)

The Role of Dystopia in Contemporary Audiovisual Serial Production

open access: yesGriseldaonline, 2020
Dystopian narratives are the core of contemporary storytelling, as they draw on imaginaries that captures fears and anxieties widely spread in the social perception.
Marta Rocchi
doaj   +1 more source

El Palacio de las Cortes de Madrid visto por Elías Andrés y Victoria Prego (La Transición, TVE, 1993) : un teatro para la Transición (1975-1981)

open access: yesCahiers de Civilisation Espagnole Contemporaine, 2021
The Transition supposed a reappropriation of Madrid’s urban space under the sign of a freedom gradually found. The city then turned into a gigantic «stage» for democratization.
Nancy Berthier
doaj   +1 more source

Der globalisierte Schein : Zeichen und ihre Entzifferung in Guy Tournayes "Le décodeur" [PDF]

open access: yes, 2006
Am 4. Juli 2002 wird auf Anweisung des FBI eine Website im World wide web geschlossen. Es handelt sich um die Website einer bekannten und beliebten amerikanischen TV-Serie, Street Hassle.
Simonis, Linda
core  

De Misent a Escandinavia: el viaje de Crematorio [PDF]

open access: yes, 2015
En este artículo, vamos a reflexionar sobre la adaptación de la novela Crematorio (2007) de Rafael Chirbes a serie televisiva producida por MOD producciones para Canal + en 2010 con técnicas cinematográficas dirigidas a un estándar de TV de pago, y la
Domingo Garcés, Enrique
core   +1 more source

The impact of uncertainty on fan interest surrounding multiple outcomes in open European football leagues

open access: yesEconomic Inquiry, Volume 64, Issue 1, Page 371-390, January 2026.
Abstract This paper uses searches via Google to evaluate the importance of uncertainty in driving demand for entertainment events. We consider various dimensions of uncertainty of outcome in European football to examine whether the removal of uncertainty surrounding the winner of a competition before its conclusion reduces interest.
Pedro Garcia‐del‐Barrio   +1 more
wiley   +1 more source

TV science series

open access: yesEos, Transactions American Geophysical Union, 1979
Carl Sagan has announced that he will be writing and hosting a 13‐part television series devoted to astronomy and space exploration. The series, called ‘Cosmos,’ is to be filmed at more than 40 locations around the world this year and will be seen on American public television and throughout the world in 1980.Cosmos will roam from Hindu cosmology ...
openaire   +1 more source

Spaltprozesse : die Dramaturgie des Fernsehfilms als Verkaufsgespräch [PDF]

open access: yes, 2009
Der Fernsehfilm (als Fernsehspiel) beanspruchte seit den sechziger Jahren seine Eigenständigkeit und verband einen künstlerischen Anspruch mit seinem Selbstverständnis.
Hickethier, Knut
core  

Specificity of British forms of address representation in the "Downton Abbey" TV series [PDF]

open access: yes, 2014
Article is devoted to the considering of different forms of address of British upper and middle classes in the beginning of 20th century, as well as its frequency in the text of English subtitles to "Downton Abbey" TV ...
Kutsenko, A. A.
core  

Fluctuating futures: coming of age in the biggest social housing neighbourhood in Milan Futurs fluctuants : passage à l’âge adulte dans le plus grand quartier de logements sociaux de Milan

open access: yesJournal of the Royal Anthropological Institute, Volume 31, Issue S2, Page 50-67, September 2025.
This article – part of a six‐year ethnographic research project – aims to deconstruct and ‘decolonize’ essentialized notions of adolescence and youth, primarily through the application of the category of intersectionality. The research focuses on a series of educational initiatives implemented in San Siro, one of Milan's largest public housing ...
Paolo Grassi
wiley   +1 more source

Sign Language as “Mother Tongue Orphan”: A Challenge to Raciolinguistic Multiculturalism in Singapore

open access: yesAmerican Anthropologist, Volume 127, Issue 3, Page 517-528, September 2025.
ABSTRACT This article examines the contested status of “sign language” in Singapore by exploring deaf people's experiences of the “Mother Tongues”—the state's designation for the official languages of Mandarin, Malay, and Tamil—with a particular focus on the relationships that deaf Chinese Singaporeans have with Mandarin.
Timothy Y. Loh
wiley   +1 more source

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