Results 31 to 40 of about 3,094 (170)
With the aid of The Wordbook, I have been able to increase somewhat Darryle Francis\u27s collection of transposals, transadditions, and transdeletions on placenames in and near London.
Bulten, John J.
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Stanzas with seven and nine lines have had a long tradition in English verse, but stanzas with an odd number of lines and longer than five lines occur relatively rarely in Russian.
Scherr, Barry P.
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Sobre la composición del Canzoniere (codice Vat. lat. 3195): sistema de peticiones, macrosecuencias y sesquitertia ratio [PDF]
El presente trabajo comenta el «sistema de peticiones» del Canzoniere, antes esbozado en un estudio de 2004 (CuFI, vol. 11). Describe su composición numérica con el análisis secuencial de los recurrentes temores amorosos y espirituales, de il riscatto y ...
Armisén, Antonio
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Attraverso l\u2019analisi dei rapporti tra sintassi e metro di circa 120 sonetti dalle Origini allo Stilnuovo, il contributo tenta fornire di alcune indicazioni sulla struttura del sonetto prestilnovistico.
G. FRENGUELLI
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Doing voices: reading language as craft in black British poetry [PDF]
This is the author's final draft post-refereeing as published in The Journal of Commonwealth Literature published online 14 April 2014 DOI:10.1177/0021989414529121.
GILMOUR, RH, Gilmour, RH
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Para un repertorio de las Rimas de Cristóbal de Mesa [PDF]
Falta todavía una edición crítica de las Rimas de Cristóbal de Mesa, que ni siquiera han sido estudiadas detenidamente hasta ahora. El autor mismo no aseguró una ordenación autónoma de sus líricas, publicándolas, con entregas sucesivas, a la zaga de ...
Caravaggi, Giovanni
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The Journal of American Culture, Volume 48, Issue 1, Page 23-31, March 2025.
Tara Ballard
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Making the Rerum vulgarium fragmenta [PDF]
The collection of lyric poems that Petrarch worked on for nearly forty years reflects, through successive stages of composition, his evolving poetic and philosophical values. The genesis of the collection, the stratification of its many forms and stages,
MARCOZZI, LUCA
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