Daniel R iches , Protestant Cosmopolitanism and Diplomatic Culture. Brandenburg-Swedish Relations in the Seventeenth Century , Leyde-Boston, Brill, coll. The Northern World, 2013, 332 p. [PDF]
Éric Schnakenbourg
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Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration
Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
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Seventeenth-Century 'double writing' schemes, and a 1676 letter in the phonetic script and real character of John Wilkins. [PDF]
Poole W.
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<i>The Colony of New Netherland: A Dutch Settlement in Seventeenth-Century America</i> (review)
Christopher J. Kubiak
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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Being Well, Looking Ill: Childbirth and the Return to Health in Seventeenth-century England. [PDF]
Astbury L.
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The Painterly Materiality of Clouds in Antony and Cleopatra and Hamlet
Abstract This article examines the cloud‐gazing scenes in Antony and Cleopatra and Hamlet through the lens of early modern artistic theory and material practices, particularly the art of limning. Building upon existing philosophical and poetic interpretations of Shakespearean clouds as metaphors for ephemerality and memory, the essay argues that the ...
Anne‐Valérie Dulac
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The Dutch East India Company through the Local Lens: Exploring the Dynamics of Indo-Dutch Relations in Seventeenth Century Bengal. [PDF]
Sur B.
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Truth and Laughter on the Seventeenth-Century Stage: Women's Voices in Early Venetian Opera
Derry Neufeld
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Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe.
Eva Plesnik
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