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Dificuldade de narrar: a prosa ficcional de Severo Sarduy
Alea, 2017 Resumo Neste artigo, analiso a obra ficcional de Severo Sarduy, indicando nela a produtividade da tensão entre linguagem, desejo e comunidade para se discutir, numa perspectiva oblíqua, o caráter político do discurso literário neobarroco na América ...
Antonio Andrade
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A Rumba Danced on a Grave Remembrance of severo sarduy
Review - Literature and Arts of the Americas, 1994Guillermo Cabrera Infante
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South Central Review
Abstract: Despite struggling with his own HIV diagnosis and its physical and psychological tolls during the AIDS epidemic’s peak years, Severo Sarduy as a personality was such that suicide didn’t emerge as the inevitable, commonsensical choice. In his life and work, he demonstrates a way of going on without valorizing either the emotional highs or ...
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Abstract: Despite struggling with his own HIV diagnosis and its physical and psychological tolls during the AIDS epidemic’s peak years, Severo Sarduy as a personality was such that suicide didn’t emerge as the inevitable, commonsensical choice. In his life and work, he demonstrates a way of going on without valorizing either the emotional highs or ...
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The Medieval Inheritance of Manuel Puig and Severo Sarduy
Medieval Encounters, 1997AbstractIn summary, this essay explores the similarities between the works of Manuel Puig and Severo Sarduy, and primary and secondary medieval "works." Ultimately, the argument seeks to reevaluate the supposed "pre-modern age" and establish points of contact between medieval and post-modern aesthetics.
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Buddhism in the Oeuvre of Severo Sarduy
The exiled Cuban French novelist, essayist, poet Severo Sarduy (1937-1993) converted to Mahayana Buddhism in 1971 after his journeys to Nepal, Bhutan and Sikkim. Untramelled by the rituals of his new faith, he remained unabashed in his critique of socio – political Buddhism (as in the novel Maitreya).openaire +1 more source
Obliterated Margins: Severo Sarduy's Writing and Painting
2020This dissertation analyzes the interaction that exists between the visual and verbal imageries in the work of Cuban writer and painter Severo Sarduy. The overall structure of the study takes the form of five chapters, including the introduction. In CHAPTER One), I critically examine Sarduy’s references for art in his theoretical texts written during ...
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