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Physiological Responses and Heat Tolerance Evaluation of Eight Varieties of <i>Primula vulgaris</i> Under Natural High Temperatures. [PDF]

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Shading into texture

Artificial Intelligence, 1986
Current shape-from-shading and shape-from-texture methods are applicable only to smooth surfaces, while real surfaces are often rough and crumpled. To extend such methods to real surfaces we must have a model that also applies to rough surfaces. The fractal surface model provides a formalism that is competent to describe such natural 3-D surfaces and ...
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Shades of Grief

Scientific American, 2011
The article discusses at which point grief and mourning become pathological. According to the author, individuals who suffer deep grief over the loss of a loved one often question their own existence or their sanity. She wonders when disturbing thoughts and emotions cross the line from being normal to being pathological, discusses two proposed changes ...
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Reflections on shading

IEEE Transactions on Pattern Analysis and Machine Intelligence, 1991
It is demonstrated that mutual illumination can produce significant effects in real scenes. An example is presented to illustrate the difficulties that mutual illumination presents to shape recovery schemes. These effects are qualitatively modeled by the radiosity equation.
Forsyth, D, Zisserman, A
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Shades of Grey

Nursing Management (Springhouse), 2001
The shortage situation is worsening: aging nurses, too few new grads, and growing demand. Learn how to get and keep the nurses you need.
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Shade trees

Proceedings of the 11th annual conference on Computer graphics and interactive techniques, 1984
Shading is an important part of computer imagery, but shaders have been based on fixed models to which all surfaces must conform. As computer imagery becomes more sophisticated, surfaces have more complex shading characteristics and thus require a less rigid shading model.
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Shade recovered

ACM SIGGRAPH 2009 Computer Animation Festival, 2009
"Shade Recovered" undertakes to make the experience of listening to Michaela Eremiasova's music visible, without applying figurative means. It uses practically no figure/ground differentiation, no habitual narrative techniques. Its abstract images evoke the feelings experienced by the listener, making them visible.
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Shades of the liar

Journal of Philosophical Logic, 1973
zbMATH Open Web Interface contents unavailable due to conflicting licenses.
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