Results 251 to 260 of about 96,079 (289)
Some of the next articles are maybe not open access.
2017
Abstract Cast shadows are present in almost every scene we view, yet very little is known about how the brain processes them. On the one hand, shadows can interfere with the visual ability to recognize objects, while on the other hand, they provide critical information for where objects are in a scene.
Daniel Kersten, Pascal Mamassian
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Abstract Cast shadows are present in almost every scene we view, yet very little is known about how the brain processes them. On the one hand, shadows can interfere with the visual ability to recognize objects, while on the other hand, they provide critical information for where objects are in a scene.
Daniel Kersten, Pascal Mamassian
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2016
This chapter shares our reflections on the pedagogy of a non-formal adult learning course entitled Art and Slow Violence, held over five-weeks in 2014 at Tate Modern, London. The course revolved around a variety of permanent and temporary multimedia exhibitions of different cultural renderings of war, conflict, violence and landscape.
Darlene E. Clover, Emily Stone
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This chapter shares our reflections on the pedagogy of a non-formal adult learning course entitled Art and Slow Violence, held over five-weeks in 2014 at Tate Modern, London. The course revolved around a variety of permanent and temporary multimedia exhibitions of different cultural renderings of war, conflict, violence and landscape.
Darlene E. Clover, Emily Stone
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Gaussian Shadow Casting for Neural Characters
2024 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR)14 pages, 13 ...
Bolanos, Luis +2 more
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2016
Wordsworth’s continuing response to the challenge laid down by the “Ancient Mariner,” in poems not connected to it in an obvious way, is seen as an effort to contain (or bury) the questions raised. Matters discussed include Wordsworth’s odd treatment of the “Mariner” in Lyrical Ballads 1800 vol.
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Wordsworth’s continuing response to the challenge laid down by the “Ancient Mariner,” in poems not connected to it in an obvious way, is seen as an effort to contain (or bury) the questions raised. Matters discussed include Wordsworth’s odd treatment of the “Mariner” in Lyrical Ballads 1800 vol.
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1975
”Coded aperture imaging” is a recently agreed-upon name (1) for a two-step imaging process conceived in the early 1960’s by Mertz and Young (2, 3, 4, 5) at Block Engineering. Their basic idea was to let each point in the object encode its three-dimensional location by casting a shadow of a Fresnel zone plate onto a photographic plate.
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”Coded aperture imaging” is a recently agreed-upon name (1) for a two-step imaging process conceived in the early 1960’s by Mertz and Young (2, 3, 4, 5) at Block Engineering. Their basic idea was to let each point in the object encode its three-dimensional location by casting a shadow of a Fresnel zone plate onto a photographic plate.
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Superposing images with shadow casting
Proceedings of the First IEEE Conference on Visualization: Visualization `90, 2002Philip C. Hsu, John Staudhammer
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Shadow casting in visible microscopy
Biochimica et Biophysica Acta, 1954R D, FRASER, G E, ROGERS
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