Results 131 to 140 of about 140,667 (157)
Some of the next articles are maybe not open access.
3D Wayang Kulit: traditional shadow puppetry meets modern display technology
International Journal of Arts and Technology, 2016Displaying shadows stereoscopically in three dimensions may help to preserve the art of Wayang Kulit, i.e. the UNESCO-listed traditional shadow puppetry originated in Indonesia. This paper presents the optical engineering of stereoscopic shadows as applicable for a Wayang Kulit performance. Using a set of governing equations that is developed using the
Gea Oswah Fatah Parikesit
exaly +2 more sources
Shadow Puppetry Classification Using Convolutional Neural Networks
2018 15th International Computer Conference on Wavelet Active Media Technology and Information Processing (ICCWAMTIP), 2018Shadow play is an attractive part of Chinese traditional folk art however the recognition of shadow play characters is a tough work for an ordinary people. Recent year, because neural networks have a preeminent performance on object classification, we try to use different CNN architectures to solve such task.
Ping Kuang, Mingyun He
exaly +2 more sources
From Shadow to Screen to Algorithm:A Media Turn in Chinese Shadow Puppetry Imagery
Asia Cultural Creativity Institute本文以皮影艺术为个案，以动影学方法与媒介考古理论为框架，从机制层、形式层、感知层三个维度，分析其从影子影像、光影影像到算法影像的媒介演化过程。研究表明，三种媒介逻辑在当代并存交织。影子影像依赖身体与光学的现场协作，生成不可复写的在场经验；光影影像以屏幕叙事重组视觉语法，灵韵的原初形态向拟在场效果迁移；算法影像以数据与模型替代身体与光源，生成以技术痕迹可感为特征的新观看关系。算法影像既为非遗文化提供新的再生产机制，也带来伦理与文化深度的挑战。与此同时，灵韵并非消逝，而是随媒介条件的变化持续转译。
Chen Lu, Siqi Wang
openaire +1 more source
Design and Evaluation of Social Interfaces for Cultural Exhibitions of Chinese Shadow Puppetry
2011 IEEE 35th Annual Computer Software and Applications Conference, 2011Because of the complex cultural context of the heritage, there had been few design case studies of the social interfaces for cultural heritage exhibitions. This study extends from the recent studies of social interaction, social media and social immersive media.
Tin-Kai Chen +6 more
exaly +3 more sources
Beyond intangible cultural heritage designation: protecting Jidong shadow puppetry
2022Intangible cultural heritage consists of traditional cultural forms passed down from generations by people of different ethnic groups, and it is an essential part of cultural heritage. Intangible cultural heritage is also a necessary symbol of a country or even a nation's historical and cultural achievements. This is of great significance in displaying
openaire +1 more source
Global Modernities and Post-Traditional Shadow Puppetry in Contemporary Southeast Asia
Third Text, 2016Under global modernity, Southeast Asian shadow puppet theatre is being re-worked in art galleries, the internet, community arts contexts, intermedial collaborations and festivals.
exaly +2 more sources
ShadowTale: Exploring AI-Assisted Story Creation in Digital Shadow Puppetry
IEEE Transactions on Computational Social SystemsNan Cao, Guanhong Liu, Xiaoyu Qi
exaly +2 more sources
Design Study of Virtual Reality Technology in Changsha Shadow Puppetry Inheritance
Lecture Notes in Electrical EngineeringSitthisak Champadaeng
exaly +2 more sources
Exploration of the Spread and Development Path of Shadow Puppetry in the Foreign Language Window
Journal of Higher Vocational EducationAs an important carrier of China's intangible cultural heritage, shadow puppetry faces challenges in cultural inheritance and international dissemination, such as audience loss, insufficient translation, and a single form of dissemination. the National College Students' Science and Technology Innovation and Entrepreneurship Training Program Project ...
Sitong Zhou, Liang Meng
openaire +1 more source
Proceedings of the Seventh IEEE International Conference on Computer Vision, 1999
openaire +1 more source
openaire +1 more source