Analytical study of geometric motifs in Zahak dreaming picture in Tahmasebi Shahnameh [PDF]
پیکره, 2021 Problem definition: Tahmasebi Shahnameh is an exquisite manuscript of Ferdowsi Shahnameh which belongs to the tenth century AD. This edition contains 258 paintings of the legends, myths, epic poems and stories of Shahnameh in 1200 pages, illustrated by ...
Sahar Zekavat, Khashayar Ghazizadeh
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Translations and Imitations of the Shahnameh in Turkish Lands [PDF]
Matn/Pizhūhī-i AdabīReading and reciting the Shahnameh in Persian was popular not only in Persianate lands, like some parts of the Caucasus and Central Asia, but in Ottoman empire as well.
Hasan Javadi
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visual capacity of Siavash’s character (myth of the vegetation deity of Iran) on account of Ferdowsi’s poems in Shahnameh [PDF]
Jilvah-i hunar, 2018 Ferdowsi’s Shahnameh, is a celebrated historical epic poem of Iran. Heroes are the main characters of Shahnameh. There are many positive and negative characters in Shahnameh.
farshid minooee, Samira sadat Danandeh
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Social and Cultural Manifestations of "Mehregan" and "Sedeh" Celebrations in Kerman Folk Art and Culture [PDF]
هنر اسلامی, 2020 The element that creates a dissimilar spirit of a nation or folk is their common history and memories in a common territory. Thus, the folklore or popular culture of that people, not only the usual and simple rituals and literature, but also expresses ...
Mojtaba Masnavipur, Hamid Tabarssi
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When cultural modifications are taken into account: Ibsen's a doll's house on Iranian screen [PDF]
, 2015 How cross-cultural communications terminate in imperfect understanding can arguably be rendered by critical awareness about culturally differentiating conceptions in the interacting communities.
Baggali, Hamideh, Khiabani, Mahdiyeh T.
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A Comparative Study of Literary Works’ Illumination of the Timurid & Safavid Era (Shahnameh Baysonqori & the Shahnameh of Shah Tahmasb) [PDF]
Jilvah-i hunar, 2019 Beginning in the late 13th century A.D, decorative motifs were employed differently by the Iranian painters in illustrated literary books. This new illumination technique gradually became popular during the 15th A.D under the Timurid rule.
S. Amirrashed, S. Panjipour
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Symbols used in the painting of Sohrab killed by Rostam (case study of Shahnameh 1028 AH Walters Museum) [PDF]
هنر اسلامی, 2022 Symbolism as one of the tools of visual expression of the transfer of concepts, has been able to bring many works of Iranian painting closer in form and meaning.Findings from library studies show that the painting in question consists of prominent ...
Shahriar Shadigoo +2 more
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«Qavam Shahnameh», Another Perspective on the Art of Persian Painting in Shiraz during the Safavid Period [PDF]
پیکرهIntroduction: The illustrated manuscript of the «Qavam Shahnameh», preserved in the Reza Abbasi Museum, includes 38 paintings. This Shahnameh was written by Mohammad Qavam Shirazi in 1000 A.H., but the name of the painter(s) is not mentioned.
Babak Attarian, Mostafa Naderloo
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The Correction of Two Verses from Shahnameh Jalal Khaleqi Motlagh [PDF]
پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی, 2022 Many lexicographers, commentators and correctors of Shahnameh have considered the words "Junagh" and "Junna" as one word and have used them instead of each other; However, paying attention to the contextual context, in-text cues, and a comprehensive look
Ali Soleimani, Mohammad Foladi
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Comparison between Alināmeh and Shāhnāmeh [PDF]
Matn/Pizhūhī-i Adabī, 2012 Alināmeh poetry book is the first religious epic written in Persian. Though Alināmeh is based on historical events, its author has selectively chosen the events and told the story of Jamal and Saffeyn wars in form of poetry by imitating Shāhnāmeh and ...
hasan haidari
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