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Acoustical design of Shenzhen Concert Hall, Shenzhen China

The Journal of the Acoustical Society of America, 2008
The Shenzhen Concert Hall complex opened in Shenzhen, China on October 12, 2007. The complex contains the Symphony Hall with 1,800 audience seats, the Theater Studio with 400 - 580 seats and some rooms for rehearsing. The Symphony Hall has a vineyard configuration with a steep audience block arrangement, called "canyon terrace".
Keiji Oguchi, Yasuhisa Toyota
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Inventing Shenzhen:

2020
This chapter details the making of a “new” China. It demonstrates how a growing distrust of modernist ideals of progress in the broader tech and design imagination following the financial crisis of 2007–2008 found expression in shifting engagements with China.
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A Soviet Shenzhen?

2016
This chapter addresses the Soviet Union’s approach to foreign investment. In the early 1980s, the USSR was skeptical of foreign capital. Poland’s debt crisis in the 1980s seemed to prove Marxist-Leninist ideas that foreign capitalists would undermine socialism. Hence Gorbachev’s early reform concepts had little to say about attracting investment.
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Poverty in Shenzhen [PDF]

open access: possible, 2010
The assessment and alleviation of poverty remains an urgent question throughout the globe. Urban poverty, in particular is becoming more prevalent in China due to immense migration in recent years. To what extent is migration related to poverty, and do the factors that drag households into poverty differ between migrants and non-migrants?
Stefan Gravemeyer   +2 more
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The Cultural Politics of Eating in Shenzhen

Gastronomica, 2010
Throughout the 1980s and early 1990s, construction in Shenzhen symbolized both the transformation of Chinese socialism and the concomitant integration of Chinese society into global capitalist networks. This article tells the story of Shenzhen from the perspective of this first generation of immigrants, the so-called Old Shenzheners, who use nostalgia ...
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Shenzhen: City of Suspended Possibility

International Journal of Urban and Regional Research, 2011
AbstractThis essay on Shenzhen, China, presents three vignettes addressing the question of home in a city of migrants. The first section explores the ubiquitous narratives of success forming the city's foundational myth. The second follows this myth into the world of a Shenzhen filmmaker and his characters, as they navigate the tension between the idea
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