Results 21 to 30 of about 72 (61)

Aging, Loneliness and Death in Şêrko Bêkes’s Poems: With Reference to “No 19” and “Autumn in Autumn”

پژوهشنامه ادبیات کردی, 2019
Every literary context is made from two main parts; form or ecstatic structure that the context was constructed on, and the content or theme, which is the text’s subject matter and is expressed through language and order of the words.
Bakhan Ahmad Hama Amin
doaj  

Alienation in Sherko Bekas's Poetry, "Chair Human" as a Model

Twejer, 2019
This study, called "Alienation in Shirku Bekes" ("The Chair") is an attempt to monitor the images of alienation in Shirku Bekes' poetry. Its importance lies in the fact that it tries to reveal the hidden dimensions of the expatriate Kurdish self and the poet's accuracy in his approach to the technique of narrative narration through the identification ...
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Style of Interference of Genres in the Poems of Sherko Bekas

Koya University Journal of Humanities and Social Sciences
In the past, there was a restriction in the literary genres in the theories of literature. After the development of the theories of literature and criticism this was seen less the genres. The genres got benefit from each other from different ways. Especially through interference of literary genres.
Avin A. Hama, Osman H. Khidir
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Colour Semiotics in Sherko Bekas’s Poetry: Rangdan Collection as an Example

Journal of University of Human Development, 2017
Semiotics is one of the modern critical methods of postmodernism in which through signs, it digs deep into the depth of a text.Sherko Bekas’s Rangdan collection is one of the collections in which signs are used abundantly because the poet uses colours 1219 times and many words are used as signs.
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Unlocking the symbols of Sherko Bekas Bracelet Book through the Collective Unconscious

Halabja University Journal
چکیده کتاب ملوانکه یا گردنبند یکی از آثار معروف شیرکو بیکس(1940-2013) شاعر نامدار کُرد است، که در آن گردنبند نمادی از زن است و شاعر از زبان آن سخن می‌گوید. شیرکو بیکس در قالب نمادها و استعارات فرهنگی و ادبی به جایگاه والای زن می‌پردازد که بیشتر، از ناخودآگاه فرهنگی-قومی‌شاعر مایه می‌گیرد و مردسالاری حاصل از تمدن و فرهنگ مدرن و ذهنیت خودآگاه را مورد نقد
Bakhan Ahmad Hama Amin, Rangin Rostami Nazhadan, Said Ahmad Parsa   +2 more
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Humanization in a Poem of Sherko Bekas; Study in his collection (women and rain)

Qalaai Zanist Scientific Journal, 2018
إن من غايات الأدب نقل تجارب الواقع الإنساني بتفاصيله كافة، وقد يشكل ما فيه خطرا على الأدباء والشعراء، لجأ الشعراء وبكثرة إلى استعمال أساليب متنوعة تتسم في أغلبها بالغموض وأحيانا إلى الرموز، وفي أحايين أخرى يميلون إلى استعمال الوسائل البلاغية ذات المعاني البعيدة، لتتوارى خلفها مقاصدهم وغاياتهم، ومن تلك الوسائل ( الأنسنة)، حتى شاع عند بعضهم فأصبحت سمة ...
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The Practice of Feminist Criticism on Sherko Bekas’s book (Bracelet)

Journal of University of Raparin
Research on poetic subjects and its content is an important part of the critical process, and it is an attempt to present the concepts and main messages of any literary text based on some feminist perspectives the study tried to analyze the essence and content of Sherko Bekas's (Bracelet).
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Reflection of Kirkuk in some selected texts of Sherko Bekas

Journal of Garmian University, 2023
Shida Muhammad, Diyar Majeed
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Aesthetic in Multigenre texts of Sherko Bekas’s “a Girl is My Homeland Now” in the perspective of literary critical aesthetic and critical school of Frankfurt

Twejer
The aesthetic theory is one of the important achievements of the Frankfurt School, its view of literature and the beautiful aspect of knowledge is a critical one. In other words, this theory places great emphasis on the critical dimension of literature and believes that literary texts carry within themselves a critical view of political power, social ...
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Criticism in art as a main principle of original text from the perspective of critical aesthetic theory: The text of Sherko Bekas's "Bracelet Book" as an example

Twejer
The Frankfurt School's theory of critical aesthetics encompasses several ideas and precepts, the most significant of which are (criticism in art). This principle contains the main view of this theory and defines most other concepts and principles. It is one of the main principles and criteria for distinguishing original text from non-original text from
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