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Short Scripts and the Short Story
English Journal, 1972ENJOYMENT of a story as art-as opposed to primitive enjoyment of plot or action-is marked in part by recognition of the possibilities from which the author chooses. One can hardly discuss style or technique without an awareness of the range of choices confronting the writer. The "What if . .
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A Short Story of Aequorin [PDF]
The Biological Bulletin, 1995 One day in the fall of 1960, shortly after my arrival at Princeton from Japan, Dr. Frank Johnson showed me a small jar containing a spoonful of white powder. He explained that the powder was a freeze dried “squeezate” made from the luminous jellyfish Aequorea, and that it would emit light when mixed with water.
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1984
‘Plain Tales from the Hills’ was the title of a series of 39 unsigned short stories published in the Civil & Military Gazette (Lahore) from 2 November 1886 to 10 June 1887. At the end of his life, Kipling wrote in Something of Myself: ‘I forget who started the notion of my writing a series of Anglo-Indian tales, but I remember our [family] council over
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‘Plain Tales from the Hills’ was the title of a series of 39 unsigned short stories published in the Civil & Military Gazette (Lahore) from 2 November 1886 to 10 June 1887. At the end of his life, Kipling wrote in Something of Myself: ‘I forget who started the notion of my writing a series of Anglo-Indian tales, but I remember our [family] council over
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1988
Although it has been reported that Pynchon wrote ‘several loosely connected stories which form a kind of picaresque novel’ centring on one Meatball Mulligan only one story in this series was ever published — ‘Entropy’.1 He originally planned to make Pig Bodine, a similar figure, central to the story ‘Low-Lands’ but in the event he was given a secondary
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Although it has been reported that Pynchon wrote ‘several loosely connected stories which form a kind of picaresque novel’ centring on one Meatball Mulligan only one story in this series was ever published — ‘Entropy’.1 He originally planned to make Pig Bodine, a similar figure, central to the story ‘Low-Lands’ but in the event he was given a secondary
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On the Short Story and the Short-Story Cycle
Contemporary Literature, 2002Michael Trussler, James Nagel
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2011
In Paris, on August 25, 1944, a trim, dark-eyed survivor of the Utah Beach landing sat down for a drink with a burly war correspondent who had written very famously about an earlier world war. At the time of this meeting, Jerome David Salinger was twenty-five years old, struggling to break into the exclusive pages of The New Yorker .
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In Paris, on August 25, 1944, a trim, dark-eyed survivor of the Utah Beach landing sat down for a drink with a burly war correspondent who had written very famously about an earlier world war. At the time of this meeting, Jerome David Salinger was twenty-five years old, struggling to break into the exclusive pages of The New Yorker .
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1986
What makes a short story? Characters, a setting, action of some kind, dialogue perhaps. These are the traditional ingredients but you will find stories that omit one or more of these to create a new effect or emphasis. You have worked on all these aspects of narrative in your exercises.
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What makes a short story? Characters, a setting, action of some kind, dialogue perhaps. These are the traditional ingredients but you will find stories that omit one or more of these to create a new effect or emphasis. You have worked on all these aspects of narrative in your exercises.
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1989
It was perhaps Faulkner’s need to complicate the unbearable facts of life, as Eudora Welty suggests, which made him uneasy with the short story form, and inspired him to transform so many of his shorter pieces into the novels or into short story composites like Go Down, Moses.
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It was perhaps Faulkner’s need to complicate the unbearable facts of life, as Eudora Welty suggests, which made him uneasy with the short story form, and inspired him to transform so many of his shorter pieces into the novels or into short story composites like Go Down, Moses.
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1968
This slight romance was drawn from scenes in Hardy’s first novel, The Poor Man and the Lady. Many modifications were undoubtedly made (for example, the hero of the novel was an architect), but the original style, which Hardy later dismissed as ‘the affected simplicity of Defoe’s’, is preserved, and the closing scene achieves a distinctiveness and ...
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This slight romance was drawn from scenes in Hardy’s first novel, The Poor Man and the Lady. Many modifications were undoubtedly made (for example, the hero of the novel was an architect), but the original style, which Hardy later dismissed as ‘the affected simplicity of Defoe’s’, is preserved, and the closing scene achieves a distinctiveness and ...
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