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Industrial Management, 1980
BRITAIN, compared with Europe, America and Japan, has been slow to recognise exhibitions as an important part of the complete communication function, with a result that until fairly recently exhibitions have been relatively poorly presented in the marketing budgets of British firms.
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BRITAIN, compared with Europe, America and Japan, has been slow to recognise exhibitions as an important part of the complete communication function, with a result that until fairly recently exhibitions have been relatively poorly presented in the marketing budgets of British firms.
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There's no business like show business
As non-profit theaters came about in Philadelphia, the city's status as a theater destination became overshadowed by New York, Washington DC, and Boston. Non-profit theaters in these cities have intersected with commercial enterprises, originating works at their theaters that go on to commercial ventures such as Broadway.Jayson Chase Borenstein, Pamela Yau
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2019
Chapter 2 chronicles Bolger’s entrance into New York show business. The 1920s were a transitional decade for American entertainers and entertainment, as film grew in popularity and as show business became increasingly complicated to navigate. The business structure of vaudeville in the 1920s and the demands it placed upon performers are discussed in ...
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Chapter 2 chronicles Bolger’s entrance into New York show business. The 1920s were a transitional decade for American entertainers and entertainment, as film grew in popularity and as show business became increasingly complicated to navigate. The business structure of vaudeville in the 1920s and the demands it placed upon performers are discussed in ...
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Matching consumer segments to innovative utility business models
Nature Energy, 2021Mark Workman +2 more
exaly
Business is Show Business: Management Presentations as Performance
, 2011B. Biehl-Missal
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1993
Abstract In twentieth-century America, the terms “art” and “commerce” have come to be seen as so antithetical as almost to preclude any one persons pursuing both. “Going commercial” is precisely the abandonment of art: What is art cannot be commerce, and what is commercial cannot be artistic.
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Abstract In twentieth-century America, the terms “art” and “commerce” have come to be seen as so antithetical as almost to preclude any one persons pursuing both. “Going commercial” is precisely the abandonment of art: What is art cannot be commerce, and what is commercial cannot be artistic.
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Africans on stage : studies in ethnological show business
, 2000B. Lindfors
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