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SHADOWS OF SHUTTER IN THE NOVEL DENNIS LEHANE'S SHUTTER ISLAND
Dennis Lehane is an American author known for his crime fiction and psychological thrillers. He is a prolific author known for his gripping novels and contributions to television shows. His works often explore morality, justice, corruption, violence, and the dark complexities of human nature. His books frequently feature detectives, flawed protagonists,Renie Johnson, J. Thenmozhi
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Fearful Fantasy: Figurations of the Oedipus Myth in Scorsese’s Shutter Island (2010)
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L' île de la folie (Shutter Island , Martin Scorsese, 2010)
2012Savoirs en prisme, No.
Dumora, Florence, Heitz, Françoise
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Isomorfismo e controparadosso in "Shutter Island": un modello di apprendimento creativo
RIVISTA DI PSICOTERAPIA RELAZIONALE, 2012Questo articolo si propone di mostrare come l'apprendimento del modello sistemico relazionale possa realizzarsi in modo creativo attraverso la condivisione e la lettura critica di un film. In particolare, il lavoro si propone di analizzare il film "Shutter Island" mettendo in evidenza specifici aspetti che caratterizzano il processo terapeutico quali ...
Morreale, Antonella +3 more
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Institutions, identity and insanity: abject spaces inShutter Island
New Review of Film and Television Studies, 2012Julia Kristeva's 1982 account of abjection usually has connections with cinema in relation to the horror film, a genre in which scenes of blood and death feature prominently, exemplifying some of the threats to subjectivity that constitute the abject. In contrast, this paper locates abjection in the filmic institution, where challenges to subjectivity ...
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Shutter Island : ombre et lumière de la fable cinématographique
IntermédialitésLe film Shutter Island (Martin Scorsese, 2010) se prête ici à une réflexion sur la fable, en tant que récit d’invention proposant découverte et adhésion à une interprétation de soi et du monde : elle est objet de croyance car porteuse de valeurs et de normes sociales. Le film déplace les données du roman de Dennis Lehane (2003) et vient « contrarier » —
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Altered State Of Consciousness As A Narrative Tool İn Dennis Lehane’s Shutter Island
International Journal of Social Science and Human ResearchThis article delves into Dennis Lehane’s Shutter Island(2003) and its challenge to the conventional notion of a unified humanist self, proposing instead that the post-war self is inherently fragmented. It particularly scrutinizes this fragmentation through the experiences of a traumatized character in the novel, illustrating how severe wartime and post-
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Dream and Fantasy in Shutter Island: Trauma, Historical Guilt, and Ethics
Journal of Holocaust Research, 2021Sandra Meiri
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