Results 31 to 40 of about 262,595 (231)

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

Páginas previas de Hipogrifo 3.1, 2015

open access: yesHipogrifo: Revista de Literatura y Cultura del Siglo de Oro, 2015
Índice del numero 3.1, 2015, de ...
Álvaro Baraibar
doaj   +1 more source

Lexicografía hispanofrancesa de los siglos XVI y XVII [PDF]

open access: yes, 2014
Sobre la obra El arte de las palabras. Diccionarios e imprenta en el Siglo de Oro (Mérida, Editora Regional de Extremadura, 2010), de Luis Pablo ...
Bruña Cuevas, Manuel
core   +3 more sources

Tudor England and Stewart Scotland Through Spanish Eyes: A Complete Transcription and Translation of Pedro de Ayala's Letter of 1498 to King Ferdinand of Castile and Queen Isabella of Aragon

open access: yesRenaissance Studies, EarlyView.
Abstract Pedro de Ayala served as a diplomat for King Ferdinand II of Aragon and Queen Isabella I of Castile at the courts of Henry VII, King of England, and James IV, King of Scots. In July 1498, he wrote a letter, partly in cipher, to report to his king and queen on such matters as Spain's interests in international diplomacy; the characters and ...
Adrian William Jaime   +2 more
wiley   +1 more source

Páginas previas de Hipogrifo 2.2, 2014

open access: yesHipogrifo: Revista de Literatura y Cultura del Siglo de Oro, 2014
Páginas previas de Hipogrifo 2.2 ...
Álvaro Baraibar
doaj   +1 more source

El Siglo de Oro en el hispanismo español desde los años setenta [PDF]

open access: yes, 1995
Arellano Ignacio. El Siglo de Oro en el hispanismo español desde los años setenta. In: Mélanges de la Casa de Velázquez, tome 31-2, 1995. Epoque moderne. pp.
Arellano-Ayuso, I. (Ignacio)
core   +1 more source

Revisiting Deere in an Extractivist Era: Agrarian Reform and Feminist Legacies in Coastal Ecuador

open access: yesJournal of Agrarian Change, Volume 26, Issue 1, January 2026.
ABSTRACT This article examines how campesinas in coastal Ecuador have navigated shifting labour roles, financial precarity and ecological degradation under Plan Tierras, a state‐led land redistribution policy embedded in an extractivist model of agriculture.
Natalia Landívar, Lynne Phillips
wiley   +1 more source

Sex and Prisons: Women and Spanish Penitentiary Reform, 1787‐1808

open access: yesJournal for Eighteenth-Century Studies, Volume 42, Issue 4, Page 501-517, December 2019., 2019
Abstract Whereas prisons had previously been thought of as transitory places for those awaiting trial, the new prison system aimed at the reformation of convicts. In Spain the first organisation set up to improve prison conditions was the Señoras de las Cárceles. This article shows how the Señoras attempted to erase the sexual aspect of women's prisons
Elena Serrano
wiley   +1 more source

TEACHING SPANISH IN THE UNIVERSAL MONARCHY: TOMÁS PINPIN'S GRAMMAR FOR TAGALOGS (1610)

open access: yesHistory and Theory, Volume 64, Issue 4, Page 92-108, December 2025.
ABSTRACT In 1610, a Tagalog printer named Tomás Pinpin published a Spanish grammar in Tagalog that was intended to help natives avoid errors and misunderstandings in their interactions with Spanish colonizers. This article attempts to clarify the book's genesis and to contextualize it within the global expansion of Spanish. Pinpin exemplifies a pattern
ALAN DURSTON
wiley   +1 more source

Uso y función de unas «decimillas» hexasilábicas en el teatro de Jacinto Cordeiro

open access: yesVersants, 2022
Desde que la estrofa de diez versos comenzó a cultivarse en los cancioneros medievales del siglo XV, las combinaciones de rimas, la distribución de las pausas y el número de sílabas por verso han ido variando creando formas diferentes.
Elena Muñoz Rodríguez
doaj   +1 more source

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