Results 231 to 240 of about 1,516,147 (288)
, 2017 The era of silent film encompasses the thirty-five-year span between the initial development of film technology around 1894 and the widespread adoption of synchronized sound around 1929.
Donna Kornhaber
openaire +2 more sources
Some of the next articles are maybe not open access.
Related searches:
Related searches:
Early Popular Visual Culture, 2012
100 Silent Films BRYONY DIXON London, British Film Institute/Palgrave Macmillan, 2011 258 pp., illus., bibliography, index, £12.99 (paper) Watching the films of the 1920s, we can see what was lost ...
+4 more sources
100 Silent Films BRYONY DIXON London, British Film Institute/Palgrave Macmillan, 2011 258 pp., illus., bibliography, index, £12.99 (paper) Watching the films of the 1920s, we can see what was lost ...
+4 more sources
The Silent Film Era: Silent Films, NAD Films, and the Deaf Community's Response
Sign Language Studies, 2004Older citizens who are deaf or hard of hearing recall the years of silent films (18931929) as a "golden era" in the cultural history of the American Deaf community. It was golden for several reasons. First, this period represents the one brief time that deaf and hard of hearing citizens had comparatively equal access to motion pictures—a cultural and
openaire +1 more source
Reimagining Silent Film through Screenshot: Silent Asia [PDF]
, 2020 "Screenshot: Silent Asia is a multidisciplinary, collaborative project which combines scholarship, creative digital composition, and performance to explore the crucial relationship between silent Asian film practices of the early 20th century and the ...
Exley, Charles
openaire +2 more sources
2002
From the very first one in 1924–25, as we have seen, the many adaptations of Leroux’s Fantome have frequently obscured the novel’s most disturbing implications, its emphasis on modern simulation among them. At the same time, however, these elements can never be said to disappear completely. They are frequently transformed into displaced anamorphoses of
openaire +1 more source
From the very first one in 1924–25, as we have seen, the many adaptations of Leroux’s Fantome have frequently obscured the novel’s most disturbing implications, its emphasis on modern simulation among them. At the same time, however, these elements can never be said to disappear completely. They are frequently transformed into displaced anamorphoses of
openaire +1 more source