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2023
Returns and Simulacra combines sound and projections of video onto a screen with the performer's body on stage. It uses mini bee accelerometers and touch-sensor attachments as an instrument called Piano Hands. Through this instrument, the pianist controls a max/MSP patch interface and some elements in the projected video of the piece.
Moroz, Solomiya, Kanga, Zubin
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Returns and Simulacra combines sound and projections of video onto a screen with the performer's body on stage. It uses mini bee accelerometers and touch-sensor attachments as an instrument called Piano Hands. Through this instrument, the pianist controls a max/MSP patch interface and some elements in the projected video of the piece.
Moroz, Solomiya, Kanga, Zubin
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2023
Η έννοια της υπερπραγματικότητας και το φαινόμενο της προπόρευσης των ομοιωμάτων έχει συζητηθεί στο παρελθόν από λόγιους του μεταμοντερνισμού. Κάτι τέτοιο ωστόσο δεν έχει πραγματοποιηθεί στον ίδιο βαθμό, όσον αφορά το πεδίο μελέτης της ακουστικής πραγματικότητας. Με την παρούσα έρευνα θελήσαμε να εξετάσουμε τα παραπάνω φαινόμενα στο πλαίσιο μελέτης των
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Η έννοια της υπερπραγματικότητας και το φαινόμενο της προπόρευσης των ομοιωμάτων έχει συζητηθεί στο παρελθόν από λόγιους του μεταμοντερνισμού. Κάτι τέτοιο ωστόσο δεν έχει πραγματοποιηθεί στον ίδιο βαθμό, όσον αφορά το πεδίο μελέτης της ακουστικής πραγματικότητας. Με την παρούσα έρευνα θελήσαμε να εξετάσουμε τα παραπάνω φαινόμενα στο πλαίσιο μελέτης των
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Architectural Design, 2005
AbstractAs the digital revolution deepens and pervades every aspect of daily life, virtual realities begin to penetrate one another in a multiplicity of ways. The amount of sensing data being compiled on the city grows, enabling the construction of virtual realities that can, in turn, be transformed for diverse purposes.
Michael Batty, Andrew Hudson‐Smith
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AbstractAs the digital revolution deepens and pervades every aspect of daily life, virtual realities begin to penetrate one another in a multiplicity of ways. The amount of sensing data being compiled on the city grows, enabling the construction of virtual realities that can, in turn, be transformed for diverse purposes.
Michael Batty, Andrew Hudson‐Smith
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Genetics and Alcoholism Simulacra
Alcoholism: Clinical and Experimental Research, 1979The author explores the role of genetic techniques in developing simulacra for eventual use as models in alcoholism research.
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Simulacra of Bartter's Syndrome
JAMA: The Journal of the American Medical Association, 1980A recent issue of Nephron (23:57-58, 1979) pays tribute to Dr Frederick Crosby Bartter on the occasion of his retirement, after 27 years of service as Chief of Endocrinology Section of the National Heart Institute, to become Chief of Staff for Research at the Veterans Administration Hospital in San Antonio, Tex.
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Translation, simulacra, resistance
Translation Studies, 2008Translation can constitute a cultural means of resistance against multinational capitalism and the political institutions to which the current global economy is allied. A translated text might tamper with the print and electronic simulacra on which capital relies so as to question them and the practices of consumption that they solicit.
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Proceedings of the 42nd International ACM SIGIR Conference on Research and Development in Information Retrieval, 2019
Choosing a set of items from an inventory is a common problem faced by customers of nearly any retailer. Modern retailers aid and influence customer decisions, using techniques like recommender systems and market basket analysis to deliver personalized and contextual item suggestions.
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Choosing a set of items from an inventory is a common problem faced by customers of nearly any retailer. Modern retailers aid and influence customer decisions, using techniques like recommender systems and market basket analysis to deliver personalized and contextual item suggestions.
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2004
Abstract ‘Deus est mortali iuvare mortalem.’ So writes Pliny the Elder: ‘When one mortal helps another, that is god.’ We are so used to following his Natural History as a museographical guide to the sculptures of Rome that we forget the author’s particular philosophical–ideological standpoint.
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Abstract ‘Deus est mortali iuvare mortalem.’ So writes Pliny the Elder: ‘When one mortal helps another, that is god.’ We are so used to following his Natural History as a museographical guide to the sculptures of Rome that we forget the author’s particular philosophical–ideological standpoint.
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