Results 71 to 80 of about 3,344 (219)

Perlawanan Masyarakat Minoritas Dalam Perencanaan Pembangunan Perkotaan

open access: yesSimulacra, 2019
The purpose of this research is to see how the resistance of minority comunities toward the silencing of their right by the government of Malang City to contribute the development planning in Malang city.
Rahman Malik
doaj   +1 more source

Kinship through code, personhood as node: AI afterlives and new technologies of the self Parenté par le code, personne nodale : vie posthume dans l'IA et nouvelles technologies du moi

open access: yesJournal of the Royal Anthropological Institute, Volume 32, Issue 1, Page 150-166, March 2026.
This article examines how emerging generative AI technologies in Europe and North America are being used to reanimate the dead, prompting users to define the ‘edges’ of self and personhood through coding practices. These technologies invite new engagements with fundamental questions of relatedness and the construction of the self, challenging and ...
Jennifer Cearns
wiley   +1 more source

A Modest Conception of Moral Right & Wrong

open access: yesAnalytic Philosophy, Volume 67, Issue 1, Page 72-82, March 2026.
ABSTRACT Taking inspiration from Hume, I advance a conception of the part of morality concerned with right and wrong, rooted in the actual moral rules established and followed within our society. Elsewhere, I have argued this approach provides a way of thinking about how we are genuinely “bound in a moral way” to keep our moral obligations that it is ...
Jorah Dannenberg
wiley   +1 more source

Simulation, Simulacra and Solaris

open access: yes, 2010
'Simulation, Simulacra and Solaris' examines and contrasts the 1971 science-fiction film Solaris by Andrei Tarkovsky with the 2002 film Solaris by Steven Soderbergh.
Jordan, Miriam; The University of Western Ontario   +1 more
core  

Post-Truth Simulacra: Inviting Mutable Meaning-Making

open access: yes, 2017
“Post-Truth Simulacra” is an artwork created to confront post-truth realities and constructions of meaning in response to the articles in this journal issue.
Sameshima, Pauline
core   +1 more source

Copiar o crear: La postmodernidad desde el cine de Michelangelo Antonioni y Brian de Palma Copy or Creation: Postmodernity from films by Michelangelo Antonioni and Brian de Palma

open access: yesAisthesis, 2009
Utilizando dos películas como pretexto, Blow up de Michelangelo Antonioni y Blow-out de Brian de Palma, en este artículo se abordan distintas teorías postmodernas en relación al impacto de las nuevas tecnologías sobre la distinción metafísica y moderna ...
Inmaculada Murcia Serrano
doaj  

Bothy busi/yness: Recirculating representation and practice in the Scottish landscape

open access: yesTransactions of the Institute of British Geographers, Volume 51, Issue 1, March 2026.
Abstract This paper uses the ‘busi/yness’ of Scottish mountain bothies to explore the agency of representation and its entanglement with practice. In doing so it asks, firstly, what are the material and discursive impacts of a rise in the symbolic value of an object (or in this case a building)?
Rachel Hunt
wiley   +1 more source

Szimulákrum és szimuláció Bret Easton Ellis Glamoramájában

open access: yes, 2010
The thesis aims to examine Bret Easton Ellis’ Glamorama (1998) in the light of Jean Baudrillard’s theory of simulacra and simulation, which has been of crucial importance in terms of adjudicating the notion of reality in a postmodern context.
Derecichei, Eszter
core  

Fundamentalisme Islam perspektif Simulacra Jean Baudrillard [PDF]

open access: yes, 2017
Penelitian ini bersifat kualitatif (Library Research). Adapun juga peneliti ini bertujuan untuk mendiskripsikan fundamentalisme Islam berdasarkan realitas dan hiperrealitas menurut teori simulacra Jean Baudrillard. Berdasarkan rumusan masalah yang ingin
Prasetio, Arif
core  

Returns \& Simulacra

open access: yes, 2023
Returns and Simulacra combines sound and projections of video onto a screen with the performer's body on stage. It uses mini bee accelerometers and touch-sensor attachments as an instrument called Piano Hands. Through this instrument, the pianist controls a max/MSP patch interface and some elements in the projected video of the piece.
Moroz, Solomiya, Kanga, Zubin
openaire   +2 more sources

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