Results 41 to 50 of about 827 (180)
This chapter extrapolates Jean Baudrillard's notion of the simulacrum to re-examine the shifting nature of simulation as a museological paradigm. Revisiting the concept of the simulacrum specifically enables the reconceptualization of two distinct lineages in visualization and worldmaking for digital cultural heritage and museums.
Kenderdine, Sarah, Hibberd, Lily
openaire +2 more sources
Violence as the Manifestation of Simulacra in Salman Rushdie’s Novel “Shame”
Respectus Philologicus, 2015 The article analyses Salman Rushdie's novel Shame from the perspective of portraying two female characters Bilquis Hyder and her daughter Naveed and how the violence underlying the instability of the images they construct manifests itself.
Jūratė Radavičiūtė
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Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2013 Borrowing its paradoxical title from Buci-Glucksman, this paper endeavors to think of the shadow in its weighty physicality, an evanescent materiality intimately linked to death. Inspired by a lesser-known short story « The Shadow » by E. A.
Marc Amfreville
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Nations and Nationalism, EarlyView.ABSTRACT ‘Bottom‐up nationalism’—the belief that the nation is of the people, by the people and for the people—can serve as a powerful collective action frame for mass mobilization. We study the evolution of Tunisian dinar banknote iconography as an indicator of the institutionalization of bottom‐up nationalism before and after the Jasmine Revolution ...
Jacques E. C. Hymans, Chloe Bernadaux
wiley +1 more source
Produzione di senso a mezzo di oggetti. Cristallizzazioni dell’umano
Im@go. A Journal of the Social Imaginary, 2019 The Production of Meaning by Means of Things. We live surrounded by things. Objects that are imagined, designed, built by us to achieve our weakness and inadequacy to survive with only our strenght and body.
Adolfo Fattori
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Narrative reconstruction of the self: Living funerals as rituals of trauma and transformation
The Australian Journal of Anthropology, EarlyView.Abstract Living funerals mark a radical reconfiguration of contemporary engagements with mortality, transforming death from an imposed ending into an actively authored narrative. This study examines the practice in Hong Kong's hybrid sociocultural landscape, where traditional Chinese death rituals collide with neoliberal selfhood and globalised ...
Yuen‐Ki Tang
wiley +1 more source
Exploring Human‐LLM Collaboration for Creativity Through the Lens of Concepts
The Journal of Creative Behavior, Volume 60, Issue 3, September 2026.ABSTRACT We conducted a theoretical exploration into how human‐LLM collaboration can facilitate the emergence of creativity through the lens of concepts—a notion that is central in the philosophical discussions regarding human knowledge creation. Kant considers concepts to be an epistemological tool that transforms people's perceptual, intuitive ...
Honghong Bai +4 more
wiley +1 more source
ФЕНОМЕН ПАНМИФОЛОГИЗАЦИИ ДЕЙСТВИТЕЛЬНОСТИ И АКТУАЛЬНЫЕ МИФОЛОГЕМЫ УКРАИНСКОГО КРИЗИСА
Sovremennye Issledovaniâ Socialʹnyh Problem, 2015 В статье исследуется ключевой признак общества постмодерна и текущего мирового социального кризиса – панмифологизация действительности; выявляются условия и признаки панмифологизации; проводится сопоставление традиционных мифов и мифов современного ...
Elena Vladimirovna Pilyugina
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Journal for Eighteenth-Century Studies, Volume 49, Issue 3, Page 309-341, September 2026.Abstract The final Stuart monarch, Queen Anne, has often been overlooked in studies of visual and material culture, particularly of fashion and dress. This article is the first to undertake a qualitative and quantitative analysis of the wardrobe accounts of Queen Anne, situating her consumption within the context of the eighteenth‐century fashion ...
Sarah A. Bendall
wiley +1 more source
Morality, Simulacrum and Distraction:
Artefilosofia, 2017 Jean-Jacques Rousseau was undoubtedly the first to investigate the ethical role of art in modern philosophical thought. However, his position was decidedly eccentric amidst the backdrop of the Enlightenment. According to Rousseau, Art was responsible for
João Gabriel Lima
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