Results 51 to 60 of about 93 (71)

Slovenska ljudska glasba

open access: yes, 2016
The Slovene folk music tradition is characterised particularly by diversity, created in the past by various influences as a consequence of the geographical location of Slovene territory and historic events. In border areas in particular there was constant mutual influence among various ethnic groups, which is reflected in both vocal and instrumental ...
openaire   +1 more source

Predgovor

open access: yesMuzikološki Zbornik, 2023
Katarina Šter, Nejc Sukljan
doaj   +1 more source

Bravničarjevi posegi v besedilo Cankarjevega Pohujšanja

open access: yesSlavistična Revija, 1986
Tone Pretnar
doaj  

Alpenecho: Slovenska narodnozabavna glasba v sodobnih kulturnih, političnih in medijskih kontekstih

open access: closed
Robert Bobnič   +6 more
openaire   +2 more sources
Some of the next articles are maybe not open access.

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Slovene music in the later 20th and early 21st centuries: an external perspective: pogled iz tujine: Slovenska glasba v poznem 20. in zgodnjem 21. stoletju:

2009
Music in Slovenia in the late 20th and early 21st centuries tends towards either modernism or postmodernism. However, with the constant sharing of techniques by a wide range of composers, this distinction is becoming increasingly irrelevant.
openaire   +1 more source

Slowenische Musik als Bestandteil der Musikkultur der Wiener Slawen in den Jahren 1840-1870: Slovenska glasba kot sestavni del glasbene kulture dunajskih Slovanov v letih 1840-1870:

2012
To carry out detailed musicological research into the musical life of Slavs inVienna has been an old obligation of Austrian musicology, and at the same time "a skeleton in the cupboard" of individual Slav musicologies. The paper concentrates on Slovene traces in the city of music - Vienna, based mostly on information coming from the Czech (Vienna Czech)
openaire   +1 more source

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