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Pomurska obzorja, 2023
Hrvaški, madžarski in slovenski glasbeniki skozi čas in prostor zaokrožajo glasbeno podobo ljudske in umetne, umetniške glasbe treh dežel, držav. Obravnavamo jih s skupnim imenovalcem Panonije oz. pomurske in prekmurske ravnice, Blatnega jezera, skratka gre za glasbo, ki je na določenih prostorih in brez obzira na nacionalne in državne meje, kolikor ...
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Hrvaški, madžarski in slovenski glasbeniki skozi čas in prostor zaokrožajo glasbeno podobo ljudske in umetne, umetniške glasbe treh dežel, držav. Obravnavamo jih s skupnim imenovalcem Panonije oz. pomurske in prekmurske ravnice, Blatnega jezera, skratka gre za glasbo, ki je na določenih prostorih in brez obzira na nacionalne in državne meje, kolikor ...
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2009
Music in Slovenia in the late 20th and early 21st centuries tends towards either modernism or postmodernism. However, with the constant sharing of techniques by a wide range of composers, this distinction is becoming increasingly irrelevant.
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Music in Slovenia in the late 20th and early 21st centuries tends towards either modernism or postmodernism. However, with the constant sharing of techniques by a wide range of composers, this distinction is becoming increasingly irrelevant.
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2018
After the Second World War, Slovenia became a part of socialist Yugoslavia, which, following the example of the Soviet Union, scrutinised art from an ideological perspective. Previous studies of the influence of the new social system on Slovenian music have not discovered any distinct and direct political interventions in musical life, so it is ...
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After the Second World War, Slovenia became a part of socialist Yugoslavia, which, following the example of the Soviet Union, scrutinised art from an ideological perspective. Previous studies of the influence of the new social system on Slovenian music have not discovered any distinct and direct political interventions in musical life, so it is ...
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2012
To carry out detailed musicological research into the musical life of Slavs inVienna has been an old obligation of Austrian musicology, and at the same time "a skeleton in the cupboard" of individual Slav musicologies. The paper concentrates on Slovene traces in the city of music - Vienna, based mostly on information coming from the Czech (Vienna Czech)
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To carry out detailed musicological research into the musical life of Slavs inVienna has been an old obligation of Austrian musicology, and at the same time "a skeleton in the cupboard" of individual Slav musicologies. The paper concentrates on Slovene traces in the city of music - Vienna, based mostly on information coming from the Czech (Vienna Czech)
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