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Bravničarjevi posegi v besedilo Cankarjevega Pohujšanja

open access: yesSlavistična Revija, 1986
Tone Pretnar
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Alpenecho: Slovenska narodnozabavna glasba v sodobnih kulturnih, političnih in medijskih kontekstih

open access: closed
Robert Bobnič   +6 more
openaire   +2 more sources
Some of the next articles are maybe not open access.

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Slovene music in the later 20th and early 21st centuries: an external perspective: pogled iz tujine: Slovenska glasba v poznem 20. in zgodnjem 21. stoletju:

2009
Music in Slovenia in the late 20th and early 21st centuries tends towards either modernism or postmodernism. However, with the constant sharing of techniques by a wide range of composers, this distinction is becoming increasingly irrelevant.
openaire   +1 more source

Slovenian music in the first decade after the Second Warld War - in search of socialist realism: Slovenska glasba v prvem desetletju po drugi svetovni vojni - v iskanju socialističnega realizma:

2018
After the Second World War, Slovenia became a part of socialist Yugoslavia, which, following the example of the Soviet Union, scrutinised art from an ideological perspective. Previous studies of the influence of the new social system on Slovenian music have not discovered any distinct and direct political interventions in musical life, so it is ...
openaire   +1 more source

Slowenische Musik als Bestandteil der Musikkultur der Wiener Slawen in den Jahren 1840-1870: Slovenska glasba kot sestavni del glasbene kulture dunajskih Slovanov v letih 1840-1870:

2012
To carry out detailed musicological research into the musical life of Slavs inVienna has been an old obligation of Austrian musicology, and at the same time "a skeleton in the cupboard" of individual Slav musicologies. The paper concentrates on Slovene traces in the city of music - Vienna, based mostly on information coming from the Czech (Vienna Czech)
openaire   +1 more source

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