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Slavic Review, 1994
Of all the things socialist realism has been compared with, perhaps the least pejorative is its characterization as a kind of twentieth-century incarnation of neoclassicism. That is to say, socialist realism can be seen as a system based on clearly defined and delimited genres, and these genres exist in a strict hierarchy. Eighteenth-century literature
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Of all the things socialist realism has been compared with, perhaps the least pejorative is its characterization as a kind of twentieth-century incarnation of neoclassicism. That is to say, socialist realism can be seen as a system based on clearly defined and delimited genres, and these genres exist in a strict hierarchy. Eighteenth-century literature
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Monthly Review, 1963
Socialist Realism is not a theory of aesthetics; it is an ethical attitude toward the nature of art and the obligations of the artist. It was not declared an official state policy in the Soviet Union until 1934. Whatever various opinions about art are credited to Lenin, or may be found in his writing, one fact remains—while Lenin lived the USSR ...
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Socialist Realism is not a theory of aesthetics; it is an ethical attitude toward the nature of art and the obligations of the artist. It was not declared an official state policy in the Soviet Union until 1934. Whatever various opinions about art are credited to Lenin, or may be found in his writing, one fact remains—while Lenin lived the USSR ...
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Presuppositions of Socialist Realism
1990Among the delegates to the Fourth Comintern Congress in Moscow in 1922 was the Croatian writer August Cesarec, who, after returning to his homeland, published a series of reports, among which we have already called attention to the ones concerning the receptive possibilities of the Russian working-class public, and which thus enter into the questions ...
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1988
The argument between the naturalists and the conventionalists of the pre-revolutionary period which was examined in Chapter 1 continued in several different forms after the Revolution, although the line of development was not a simple one. For a while the theatrical left appeared to have gained the upper hand, with mass revolutionary spectacles ...
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The argument between the naturalists and the conventionalists of the pre-revolutionary period which was examined in Chapter 1 continued in several different forms after the Revolution, although the line of development was not a simple one. For a while the theatrical left appeared to have gained the upper hand, with mass revolutionary spectacles ...
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1972
What is the artist’s duty in a time of struggle, supposing he wants to take part in the struggle? In my view the artist’s duty is notably different from that of other participants who contribute to the struggle with arms and political action. The artist’s first duty is to create art, for he knows that an art which is non-art can make no effective ...
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What is the artist’s duty in a time of struggle, supposing he wants to take part in the struggle? In my view the artist’s duty is notably different from that of other participants who contribute to the struggle with arms and political action. The artist’s first duty is to create art, for he knows that an art which is non-art can make no effective ...
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Sculpture in Socialist Realism—Soviet Patterns and the Polish Reality
Arts, 2022Agnieszka Tomaszewicz
exaly
The rise and fall of socialist realism
Comparative History of Literatures in European Languages, 2021exaly