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Studies in East European Cinema
This article analyzes the ways the educational- and propaganda films produced by the film studio of the Hungarian Ministry of Interior during the 1950s and 60s are part of the broader landscape of socialist realist culture.
L. Strausz
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This article analyzes the ways the educational- and propaganda films produced by the film studio of the Hungarian Ministry of Interior during the 1950s and 60s are part of the broader landscape of socialist realist culture.
L. Strausz
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Socialist Realism and Socialist Realist Romanticism
Art in Translation, 2016AbstractThis article focuses on romanticism in socialist realist painting. One of the objectives of this style was to create a romanticized image of the goals and achievements of the Soviet people guided by the communist party. What was its ideal like and what was the nature of its romanticism?
Irina Zavedeeva +2 more
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Stalin’s final films: cinema, socialist realism, and Soviet postwar reality, 1945–1953
Studies in Russian and Soviet Cinemaof the multifaceted ...
Kristina Tanis
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October, 2014
The thirty-three-year-old artist Aleksandr Deineka was given a large piece of wall space at the exhibition 15 Years of Artists of the RSFSR at the Russian Museum in Leningrad in 1932. At the center of the wall hung his most acclaimed painting, The Defense of Petrograd of 1928, a civil-war-themed canvas showing marching Bolshevik citizens, defending ...
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The thirty-three-year-old artist Aleksandr Deineka was given a large piece of wall space at the exhibition 15 Years of Artists of the RSFSR at the Russian Museum in Leningrad in 1932. At the center of the wall hung his most acclaimed painting, The Defense of Petrograd of 1928, a civil-war-themed canvas showing marching Bolshevik citizens, defending ...
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1988
The argument between the naturalists and the conventionalists of the pre-revolutionary period which was examined in Chapter 1 continued in several different forms after the Revolution, although the line of development was not a simple one. For a while the theatrical left appeared to have gained the upper hand, with mass revolutionary spectacles ...
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The argument between the naturalists and the conventionalists of the pre-revolutionary period which was examined in Chapter 1 continued in several different forms after the Revolution, although the line of development was not a simple one. For a while the theatrical left appeared to have gained the upper hand, with mass revolutionary spectacles ...
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1988
Socialist realism has a bad press in the West. Even Marxist critics are generally dismissive. Eagleton, for example, describes socialist realism as ‘one of the most devastating assaults on artistic culture ever witnessed in modern history’, and refers to its principal Soviet advocate, Zhdanov, as ‘Stalin’s cultural thug’.1 However, like all else ...
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Socialist realism has a bad press in the West. Even Marxist critics are generally dismissive. Eagleton, for example, describes socialist realism as ‘one of the most devastating assaults on artistic culture ever witnessed in modern history’, and refers to its principal Soviet advocate, Zhdanov, as ‘Stalin’s cultural thug’.1 However, like all else ...
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ДЕКОРАТИВНОЕ ИСКУССТВО И ПРЕДМЕТНО-ПРОСТРАНСТВЕННАЯ СРЕДА. ВЕСТНИК МГХПА, 2023
P. Kozorezenko, I. Orlov
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P. Kozorezenko, I. Orlov
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Systematic Review of Comparative Studies of the Impact of Realism in Immersive Virtual Experiences
ACM Computing Surveys, 2023Guilherme GonÇalves +2 more
exaly
Georg Lukács: ‘Critical Realism and Socialist Realism’
1997Socialist realism differs from critical realism, not only in being based on a concrete socialist perspective, but also in using this perspective to describe the forces working towards socialism from the inside. Socialist society is seen as an independent entity, not simply as a foil to capitalist society, or as a refuge from its dilemmas — as with ...
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