Results 31 to 40 of about 313,294 (354)

Construction of a Narrativeabout Socialist Realism in English-Language Art Criticism Discourse (based on Texts of Matthew Bown)

open access: yesНаучный диалог, 2022
Based on the texts of the British expert Matthew Bown, the article deals with the issue of constructing a narrative about the Soviet fine arts. The aim of the study is to analyze the patterns of narrative formation and identify its significant elements ...
A. V. Streltsova   +2 more
doaj   +1 more source

Art for the People or “Socialist Realism” from 1944–1991 [PDF]

open access: yesDialogica: Revistă de Studii Culturale și Literatură, 2022
This article is an attempt to link two distinct periods of Bessarabian art – the interwar period and the postwar period. These stages manifested themselves in our culture and art as diametrically opposed sources.
Tudor Stavilă
doaj   +1 more source

The Politics of Abstract Art. Forma 1 and the Italian Communist Party [PDF]

open access: yes, 2012
Este artículo examina el papel del grupo de artistas abstractos Forma 1 en relación con la política cultural del Partido Comunista Italiano durante la posguerra, como ejemplo de los intentos de superar la dicotomía establecida en Italia entre arte ...
Lorcerie, Françoise   +1 more
core   +1 more source

Socialist Realism in a New Perspective: A Proposal of Literary History Analysis

open access: yesStudia Litteraria et Historica, 2019
This article attempts to offer a new perspective on the infamous phenomenon of socialist realism. The author describes the literature of the period, the debates that revolved around it at the time, and the Marxist literary criticism and Marxist history ...
Katarzyna Chmielewska
doaj   +1 more source

Reversibility of the Socialist Realism Aesthetics (on the Example of the Modern Russian Cinematography)

open access: yesThe Art and Science of Television, 2022
The article studies reversibility of socialist realism aesthetics—a trend in the modern Russian cinematography—from a socio-cultural perspective. An integrative cultural-philosophical approach serves as research optics.
A. Yefanov
semanticscholar   +1 more source

Soviet in content - people’s in form: The building of Farming Cooperative Centres and the Soviet-Yugoslav dispute, 1948-1950 [PDF]

open access: yesSpatium, 2011
It was not until 1948, when the Cominform conflict escalated, that the Communist Party of Yugoslavia began a thorough implementation of the Soviet model in Yugoslav agriculture - due to the Soviet criticism, the CPY made immediate legislative ...
Živančević Jelena
doaj   +1 more source

Dramat Andrzeja Wróblewskiego [PDF]

open access: yes, 2016
Andrzej Wróblewski’s DramaAndrzej Wróblewski (1927-1957) was one of the most important Polish modern painters of his time, closely con- nected both with key issues of the 20th-century European avant-garde in art, as well as socialist realism in post- war
HENDRYKOWSKI, MAREK
core   +2 more sources

Gorky’s Work and the Rise of Social Realism [PDF]

open access: yesStudia Litterarum, 2018
In 1932, the Communist party ideologists called Maxim Gorky the founder of socialist realism at the behest of Stalin. This tag has turned into an ideological cliché that accompanies the writer’s image even in the present day and does not allow us to see ...
Lydia A. Spiridonova
doaj   +1 more source

A critical-realist view of housing quality within the post-communist EU states: progressing towards a middle-range explanation [PDF]

open access: yes, 2017
Employing a long-term perspective, we explore whether ideologically rooted quality outcomes of housing provision under communism have persisted during the post-communist construction of housing markets.
Dewilde, Caroline   +1 more
core   +2 more sources

NOVEMBER 1948: A WRITTEN TEST ON SOCIALIST REALISM [PDF]

open access: yesDiversitate si Identitate Culturala in Europa, 2015
Drawing heavily on archival research, the paper analyses the formation of the discourse of socialist realism in Romanian post-war art. A questionnaire on socialist realism to which a number of artists responded in 1948 provides an intermediate phase that
Irina CĂRĂBAŞ
doaj  

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