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THE DRAMATURGY OF THE SONATA CYCLE BY L. VAN BEETHOVEN (on the example Sonata № 3 С-dur оp. 2)

open access: yesМузикознавча думка Дніпропетровщини, 2020
The purpose of the article is to analyze and develop stylistic features of L. Beethoven's sonata cycle for a more accurate reproduction of the play's dramaturgy. The following research methods are used in the work the next. There are historical and cultural approach (research and analysis of works dedicated to L.
openaire   +2 more sources

Faculty Concert, Bayla Keyes and Robert Merfeld, Wednesday, January 17, 2001 [PDF]

open access: yes, 2001
This is the concert program of the Faculty Concert of Bayla Keyes and Robert Merfeld on Wednesday, January 17, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Faculty concert: "Dreams, Delirium and Transcendence In the Music of our Time," January 30, 1998 [PDF]

open access: yes, 1998
This is the concert program of the Faculty Concert: "Dreams, Delirium and Transcendence In the Music of our Time" performance on Friday, January 30, 1998 at 8:00 p.m., at the Tsai Performanc Center, 685 Commonwealth Avenue.
School of Music, Boston University
core  

Faculty Recital: Pavel Nersessian, piano, October 11, 2018 [PDF]

open access: yes, 2018
This is the concert program of the Faculty Recital: Pavel Nersessian, piano on Thursday, October 11, 2018 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
core  

Distributed Nonconvex Multiagent Optimization Over Time-Varying Networks

open access: yes, 2016
We study nonconvex distributed optimization in multiagent networks where the communications between nodes is modeled as a time-varying sequence of arbitrary digraphs.
Palomar, Daniel   +2 more
core   +1 more source

Semantics of fugue themes in the context of figurative distinctiveness of J. S. Bach’s cycle “Three Sonatas and Three Partitas for Violin Solo”

open access: yesProblems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education, 2022
The statement of problem. The article is an attempt to comprehend the semantic originality of the text of three Fugues in Bach’s Sonatas for solo violin. Despite the fact that J. S. Bach’s music has long been the basis of the musical culture of mankind, interest in the scientific study of his work does not fade away: new attempts to penetrate the world
openaire   +1 more source

Faculty Recital: Roberto Plano, piano, February 22, 2018 [PDF]

open access: yes, 2018
This is the concert program of the Faculty Recital: Roberto Plano, piano on Thursday, February 22, 2018 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. The work performed were Harmonies poétiques et religieuses S. 173 (complete) by
School of Music, Boston University
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Faculty concert: Bayla Keyes and Lois Shapiro, April 5, 1996 [PDF]

open access: yes, 1996
This is the concert program of the Faculty Concert: Bayla Keyes and Lois Shapiro performance on Friday, April 5, 1996 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Faculty Concert, Wednesday, March 21, 2001 [PDF]

open access: yes, 2001
This is the concert program of the Faculty Concert of Anthony Di Bonaventura on Wednesday, March 21, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata in G Major, K. 523, Sonata
School of Music, Boston University
core  

Faculty concert: Bayla Keyes and Lois Shapiro, January 24, 1999 [PDF]

open access: yes, 1999
This is the concert program of the Faculty Concert of Bayla Keyes and Lois Shapiro performance on Sunday, January 24, 1999 at 3:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Suite for Violin
School of Music, Boston University
core  

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