Results 151 to 160 of about 18,069 (194)
The makings of a cycle? James MacMillan's Cello and Piano Sonatas
At a time when composers usually write only one piece in any particular genre, since they seldom get the commission or — like Brahms and Beethoven – feel the urge or need to make it two or three at the very least, it is more than just good fortune that James MacMillan's cello compositions, large and small, are rapidly becoming a major corpus of work ...
John York
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ROCK FORMS AND AVIAN SEQUENCES: PERFORMING EDWARD COWIE’S CYCLES AND SONATAS
AbstractTwo of the most important creative stimuli for Edward Cowie throughout his composing life have been the natural world and working closely with performers, such as the BBC Singers and Kreutzer Quartet. Over the last four years, he and I have been in the studio recording his bird portrait duo cycles, and three geologically themed piano sonatas ...
Roderick Chadwick
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STRING QUARTET IN A MAJOR BY N. ZHIGANOV AS AN EARLY TRIAL OF COMPOSING A SONATA-SYMPHONIC CYCLE
D. F. Khairutdinova, D. KHAIRUTDINOVA
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Interpretation of the cycle in J. Brahms’s Violin Sonatas
A. Pokryshkina, E. Shabshaevich
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Narrative Analysis, the Sonata Cycle and Implications for Performance
Janice Dickensheets
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The Three- and Four-Movement Sonata Cycle
James Hepokoski, Warren Darcy
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THE SEARCHING FOR THE INTERNAL STRUCTURE OF THE CYCLE: PIANO SONATAS BY FRANZ SCHUBERT 1815
Zhang Junsong
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Returning cycles: contexts for the interpretation of Schubert's impromptus and last sonatas
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Returning Cycles: Contexts for the Interpretation of Schubert's Impromptus and Last Sonatas (review)
Scott Messing
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