Dialogue in Sonata for Two Violins Op. 10 by Henryk Mikołaj Górecki from a Performer’s Perspective
The article aims at defining the specificity of dialogue in Sonata for two violins Op. 10 by Hen- ryk Mikołaj Górecki from the point of view of the performer.
Anna DZIALAK-SAVYTSKA
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REINTERPRETATION OF TRADITIONAL FORMS IN THE SONATA FOR BASSOON AND PIANO BY VITALY VERHOLA [PDF]
V. Verhola's artistic heritage includes works of differen genres: opera, vocal-symphonic creations, music for film, pop music,arrangements of folk works etc. But the favorite sphere of his creation is instrumental music.
TARAN, VLADIMIR, ANDRIEȘ, VLADIMIR
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Диалог как феномен жанрового интонирования (к вопросу о генезисе сложного диалогического знака) [PDF]
В статье рассматривается специфика жанров сонатно-циклического генеза как особой сферы диалогики, акцентируемой понятием «сложный жанр». Подчеркивается, что его основу составляют определенный тип «интонационного сопереживания», соотносимый автором с ...
Демешко, Галина Андреевна
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The SPL-family transcription factor MpSPL3 orchestrates the proper regulation of vegetative and reproductive programs in Marchantia polymorpha. [PDF]
SUMMARY SQUAMOSA PROMOTER BINDING PROTEIN‐LIKE (SPL) genes encode plant‐specific transcription factors that are widely distributed across the plant kingdom. In angiosperms, the multimember SPL family regulates various biological processes, including vegetative‐to‐reproductive phase transition, inflorescence architecture, and lateral organ development ...
Alisha A +3 more
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POLYPHONIC PROCEDURES AND TECHNIQUES IN THE SONATA FOR FLUTE AND PIANO BY SERAFIM BUZILĂ [PDF]
Called by the well-known composer M. Kopytman "the handbook of polyphony", S. Buzila’s Sonata for flute and piano reveals various polyphonic methods and techniques which the author masterly combines with the structure of the traditional sonata cycle and ...
MELNIC, VICTORIA, PÎNZARU, NATALIA
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FORM AND STYLEIN ELGAR’s SONATA FOR VIOLIN AND PIANO [PDF]
The Sonata for violin and piano, op. 82, composed in 1918 by E. Elgar – a unique piece in this genre among the composer’s creation, has the traditional structure of a tripartite sonata; I. Allegro, II. Andante, III. Allegro non troppo.
MELNIC VICTORIA, COȘCIUG SVETLANA
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SERAFIM BUZILĂ'S SONATA FOR VIOLIN AND PIANO: AN EXAMPLE OF COMPONISTIC INVENTIVITY AND A TRIBUTE TO THE GREAT GEORGE ENESCU [PDF]
In his Sonata for Violin and Piano S. Buzila has taken on a rather difficult task: to combine folkloric elements with classical and contemporary elements in a sonata cycle, with its well-defined form, trying to express the psychology of the contemporary
MELNIC VICTORIA, PÎNZARU NATALIA
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The aim of the paper is to reveal the levels of realization and interaction of the aesthetic tendencies of the music culture of the transition stage — the baroque and pre-classical systems in the Sonata for аrmandoninо and bassо continuo by G.
N. V. Bashmakova
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STYLISTIC PECULIARITIES OF SONATA NO. 1 FOR ACCORDION BY VIATCHESLAV SEMIONOV [PDF]
This article contains the analysis of Sonata No.1 for accordion by Viatcheslav Semionov – the fi rst work that underlies the psychological and ethical-philosophical sphere in his creation.
CALMÎȘ DUMITRU
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REFLECTION OF THE CLASSICAL TRADITIONS IN SONATA MODERNE FOR ACCORDION OP.2 BY CARMELO PINO [PDF]
This article reviews the Sonata Moderne for accordion op.2 signed by the American composer Carmelo Pino that is considered the first creation of this kind in the USA.
Calmîș Dumitru
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