Results 141 to 150 of about 24,453 (205)

Beating time: How ensemble musicians' cueing gestures communicate beat position and tempo. [PDF]

Psychol Music, 2018
Bishop L, Goebl W.
europepmc   +1 more source

Music-Enhanced Analgesia and Antiseizure Activities in Animal Models of Pain and Epilepsy: Toward Preclinical Studies Supporting Development of Digital Therapeutics and Their Combinations With Pharmaceutical Drugs. [PDF]

Front Neurol, 2019
Metcalf CS, Huntsman M, Garcia G, Kochanski AK, Chikinda M, Watanabe E, Underwood T, Vanegas F, Smith MD, White HS, Bulaj G.   +10 more
europepmc   +1 more source

Sound Matrix Shaping of Living Matter: From Macrosystems to Cell Microenvironment, Where Mitochondria Act as Energy Portals in Detecting and Processing Sound Vibrations. [PDF]

Int J Mol Sci
Valenti D, Atlante A.
europepmc   +1 more source

Atypical brain lateralization for speech processing at the sublexical level in autistic children revealed by fNIRS. [PDF]

Sci Rep
Lai B, Yi A, Zhang F, Wang S, Xin J, Li S, Yu L.   +6 more
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Cortical and behavioural tracking of rhythm in music: Effects of pitch predictability, enjoyment, and expertise

, 2023
Keitel A, Pelofi C, Guan X, Watson E, Wight L, Allen S, Mencke I, Keitel C, Rimmele J.   +8 more
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Sonata no. II for Violin and Piano

, 2023
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Vocal and musical emotion perception, voice cue discrimination, and quality of life in cochlear implant users with and without acoustic hearing

Harding EE, Gaudrain E, Tillmann B, Maat B, Harris RL, Free RH, Başkent D.   +6 more
europepmc   +1 more source

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Galina Ustvolskaya, Sonata for Violin and Piano (1952)

2022
Abstract Galina Ustvolskaya’s Sonata for Violin and Piano (1952) was her first work to garner international attention, and while it is a relatively early work in her oeuvre, the Sonata for Violin and Piano is a superb example of Ustvolskaya’s mature aesthetic.
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Sonata for Violin and Piano by Vladimir Martynov

Музыкальная академия, 2019
Скрипичная соната Владимира Мартынова (1973) парадоксальна во многих отношениях. Сам композитор характеризует ее как парадокс: «Это додекафония плюс минимализм. Еще в музыкальном училище я был очарован гокетом Машо, его минимализмом. Я имею в виду, что там что-то происходит и в то же время ничего не происходит».
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