Results 1 to 10 of about 10,570 (120)

Neural Correlates of Phrase Rhythm: An EEG Study of Bipartite vs. Rondo Sonata Form [PDF]

open access: yesFrontiers in Neuroinformatics, 2017
This paper introduces the neural correlates of phrase rhythm. In short, phrase rhythm is the rhythmic aspect of phrase construction and the relationships between phrases.
Antonio Fernández-Caballero   +4 more
doaj   +5 more sources

Schumann’s Fantasy Op. 17 and the Strange Case of the Supertonic Sonata

open access: yesMusica Theorica, 2022
This paper explores some fresh angles (Schenkerian and sonata-formal) on one of Schumann’s most famously intractable works. In the process it draws some larger conclusions regarding Schumann's paradoxical relationship to sonata form and Schenkerian ...
Boyd Pomeroy
doaj   +2 more sources

RONDO FOR VIOLIN AND PIANO BY ALEXANDR MULEAR: HISTORICAL AND COMPOSITIONAL ASPECTS [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică
The article reveals historical information regarding the importance of the Rondo for violin and piano in the compositional work of A. Mulear. The composer complements the rondo form with certain elements of the sonata form, associating them with the ...
TROCINEL, DANIELA
doaj   +2 more sources

Feinting Repeats, Repeating Feints: The Developmental “Double Return” in Brahms and Sonata Theory Typology

open access: yesJournal of Music and Theory, 2023
One of the most prominent characteristics of Johannes Brahms's approach to sonata form is the return to the tonic at the start of the second section (or “rotation”) for a restatement of the exposition's primary theme.
Benedict Taylor
semanticscholar   +1 more source

Polystilistics as a Factor of Musical Form-Generation

open access: yesProblemy muzykal'noi nauki / Music Scholarship, 2023
The article examines the particular features of form-generation that are stipulated by the application of polystilistics in the form of interactions of intonations and styles in a musical composition.
Lyudmila Р. Kazantseva
semanticscholar   +1 more source

Form in Beethoven’s Sonata for Violin and Piano, Op. 24

open access: yes, 2020
Outline Genesis and general characteristics Form First Movement “Allegro” – Detailed analysis Formal outline of the First Movement Second Movement “Adagio molto espressivo” Formal outline of the Second Movement Third Movement ...
Ceyla Ganioglu
semanticscholar   +1 more source

Integration, Urbanity, and Multi-Dimensionality in Schoenberg’s First Quartet

open access: yesMusic Theory Online, 2022
This article addresses the network of forms and genres at play in Schoenberg’s First String Quartet, op. 7, proposing a conception of the work as a representation of urban life in fin-de-siècle Vienna.
Sam Reenan
semanticscholar   +1 more source

TURGAY ERDENER’İN KLARNET KONÇERTOSUNUN FORM ANALİZİ [PDF]

open access: yes, 2012
Being one of the contemporary Turkish composers, Turgay Erdener created a Turkish Concerto embodying contemporary effects as he composed Clarinet Concerto for Clarinet and Orchestra in 1995.
Hatıra Ahmedli Cafer
core   +1 more source

ANALYSIS OF MUSIC FORM AND CELLO PLAYING TECHNIQUES SONATINE FOR CELLO & PIANO BY BUDHI NGURAH

open access: yesRepertoar Journal, 2020
This resesarch aims to describe the musical form, and cello techniques that include fingering and bowing techniques in the work of Budhi Ngurah. The research process is using descriptive analytic methods.
Adi William Raharja
semanticscholar   +1 more source

Intellectual Magic: Tradition Infiltrated by Passion in the String Quartets of the English Composer Hugh Wood

open access: yesMuzikološki Zbornik, 2007
Throughout the history of music there has often been a conflict between the old and the new. This applies very much to the music of the English composer, Hugh Wood (b.1932).
Niall O'Loughlin
doaj   +1 more source

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