Results 111 to 120 of about 10,600 (148)

Formalna analiza simfonijske svite „Šeherezada“, op. 35, Nikolaja Rimskog-Korsakova

Humanities
Introduction: This paper provides a formal analysis of the symphonic suite Scheherazade, Op. 35 by Nikolai Rimsky-Korsakov, focusing on the main motifs and their development. It also examines the work’s formal structure and oriental elements.
Dijana Lukić
semanticscholar   +1 more source

Structural-dramaturgical aspects and features of interpretation in the concerto for horn and orchestra, op. 91 by reinhold glière

Învățământul artistic – dimensiuni culturale, 2025
The article examines Reinhold Glière's (1875-1956) Horn Concerto Op. 91, composed in 1951 at the suggestion of the horn player Valery Polekh. Structured in three traditional movements, the concerto features a romantic orchestration and a classical sonata
Victor Zlotescu
semanticscholar   +1 more source

Folk songs as a source of themes for S. S. Prokofiev’s "Russian Overture"

Ученые записки Российской академии музыки имени Гнесиных
"Russian Overture" opens a line of creativity of S. S. Prokofiev, associated with an appeal to genuine Russian musical folklore. The song sources of the themes that served as the basis of the work are established.
D. Dolgova
semanticscholar   +1 more source

SONATA-RONDO, THE FORMULATION OF A THEORETICAL CONCEPT IN THE 18th AND 19th CENTURIES

, 1969
M. Cole
semanticscholar   +1 more source

Rondo and Sonata-Rondo Forms

2023
openaire   +1 more source

Form, Genre, and Style in the Eighteenth-Century Rondo

, 1995
J. Galand
semanticscholar   +1 more source

Apical–basal polarity and the control of epithelial form and function

Nature Reviews Molecular Cell Biology, 2022
Clare E Buckley, Daniel St Johnston
exaly  

Classical Rondos and Sonata Forms as Stylistic Categories

2019
Goldman, Andrew, Roy, Adam, De Souza, Jonathan   +2 more
openaire   +1 more source

Dynamic Time Warping for Automatic Musical Form Identification in Symbolical Music Files

Mathematics and Computation in Music, 2017
C. Bañuelos, F. Orduña-Bustamante
semanticscholar   +1 more source

The power of allusion: Beethoven’s Grosse Fuge and Op. 130 VI*

, 2020
M. Ross
semanticscholar   +1 more source