Results 21 to 30 of about 10,600 (148)
ARCHITECTONICAL PECULIARITIES OF THE CANTATA OUR DAWN BY S. LOBEL [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2017 The author analyses the musical architectonics of the cantata Our Dawns by S. Lobel (1954), starting from the poetic form of E. Bukov’s poems, which are the basis of the work.
KUZNEŢOVA NADEJDA
doaj
Distinguishing Different Emotions Evoked by Music via Electroencephalographic Signals
Computational Intelligence and Neuroscience, Volume 2019, Issue 1, 2019., 2019 Music can evoke a variety of emotions, which may be manifested by distinct signals on the electroencephalogram (EEG). Many previous studies have examined the associations between specific aspects of music, including the subjective emotions aroused, and EEG signal features.
Yimin Hou +2 more
wiley +1 more source
The Mismatch Negativity: An Indicator of Perception of Regularities in Music
Behavioural Neurology, Volume 2015, Issue 1, 2015., 2015 This paper reviews music research using Mismatch Negativity (MMN). MMN is a deviation‐specific component of auditory event‐related potential (EPR), which detects a deviation between a sound and an internal representation (e.g., memory trace). Recent studies have expanded the notion and the paradigms of MMN to higher‐order music processing such as those
Xide Yu +3 more
wiley +1 more source
CONCERTO No.1 FOR HORN AND ORCHESTRA BY OLEG NEGRUȚA: COMPOSITIONAL PARTICULARITIES [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2019 Concerto No.1 for horn and orchestra by Oleg Negruța is the first concerto dedicated to this instrument in the national composition repertoire. The concerto follows the classical structure with three contrasting movements (Allegro moderato – Andante ...
MUNTEANU DORINA
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THE SYSTEM OF MUSICAL FORMS IN A. REICHA’S TRAITÉ DE HAUTE COMPOSITION MUSICALE [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2019 The article is devoted to the description and analysis of the components of the system of musical forms in A. Reicha’”Traité de haute composition musicale” (1824-1826).
MELNIC VICTORIA
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Graduate recital by Donald Caldwell, violin, August 11, 1964 [PDF]
, 1964 This is the concert program of the Graduate Recital by Donald Caldwell, violin on Tuesday, August 11, 1964 at 8:30 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were Sonata in A major, Book III, No.
School of Music, Boston University
core
Faculty Recital: Anthony di Bonaventura, piano, March 20, 2003 [PDF]
, 2003 This is the concert program of the Faculty Recital: Anthony di Bonaventura, piano performance on Thursday, March 20, 2003 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
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Yvonne Loriod and the Practice of Analytical Memory
Music Analysis, Volume 43, Issue 3, Page 331-379, October 2024.ABSTRACT The usefulness of music analysis in memorisation is well attested in music‐performance scholarship, even though the methods and processes of analytical memorisation are rarely documented and difficult to assess, especially in a historical perspective.
Peter Asimov, Christopher Brent Murray
wiley +1 more source
An overview on the author's graduate recital program [PDF]
, 2016 Master's Project (M.Mu.) University of Alaska Fairbanks, 2016The following project paper consists of three chapters, examining the works in my Graduate Recital Program.
Koukakis, Dimitrios Paganos
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Corpus Studies and ‘Close Listening’
Music Analysis, Volume 43, Issue 2, Page 191-246, July 2024.ABSTRACT This article provides a detailed response to Markus Neuwirth and Martin Rohrmeier's article ‘Wie wissenschaftlich muss Musiktheorie sein?’, published in the Zeitschrift der Gesellschaft für Musiktheorie in 2016. I undertake to nuance their call for the wholesale adoption of machine‐assisted corpus‐based methods in music theory through a ...
NATHAN JOHN MARTIN
wiley +1 more source