Music-based interventions in the treatment of eating disorders: a scoping review. [PDF]
Heiderscheit A +5 more
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CoVox: A dataset of contrasting vocalizations. [PDF]
Bruder C, Larrouy-Maestri P.
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Lyrics do matter: how "coping songs" relate to well-being goals. The COVID pandemic case. [PDF]
Levy A, Granot R, Peres R.
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Memory for Music (M4M) protocol for an international randomised controlled trial: effects of individual intensive musical training based on singing in non-musicians with Alzheimer's disease. [PDF]
Lichtensztejn M +11 more
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"We will tell everyone!" Capturing the impact of public and patient involvement in music therapy and dementia research through songwriting. [PDF]
Kelly L +9 more
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An Analysis of the Prevalence and Trends in Drug-Related Lyrics on Twitter (X): Quantitative Approach. [PDF]
Luo W, Jin R, Kenne D, Phan N, Tang T.
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AbstractWhy are new lyrics to old songs so often a source of inspiration and fun? This article explores how poems that rewrite popular song lyrics belong on the continuum between parody and burlesque. The parodist pays homage to the author of the source, but at the same time skewers the author by appropriating his distinctive style and using it to poke
exaly +2 more sources
Semantic analysis of song lyrics
2004 IEEE International Conference on Multimedia and Expo (ICME) (IEEE Cat. No.04TH8763), 2005We explore the use of song lyrics for automatic indexing of music. Using lyrics mined from the Web, we apply a standard text processing technique to characterize their semantic content. We then determine artist similarity in this space. We found lyrics can be used to discover natural genre clusters.
Beth Logan +2 more
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'Workers' Aim Song' song lyrics
1935Jersey Homesteads (later Roosevelt) was established in the 1930s as an agro-industrial cooperative community. It was established specifically for urban, Jewish garment workers, many of whom had emigrated from Europe. The 'Worker's Aim Song' served to unify the Jersey Homestead workers.
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Jindou: A Musical Form Found in Southern Song Lyric Songs
T’oung Pao, 2015By introducing a newly-discovered manuscript copy of the lyric song anthology of the poet-musician Jiang Kui (1155–1221), this article aims to elucidate a hitherto unnoticed musical form of the genre: the jindou form. A comparison between the manuscript and all the early modern editions reveals discrepancies in the stanzaic divisions of four of Jiang’s
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