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Black Queer Cosmologies, Sonic Geographies, and Embodied Entanglement in Tarell Alvin McCraney’s The Brother/Sister Plays

Modern Drama
This paper examines the sonic landscape of Tarell Alvin McCraney’s triptych The Brother/Sister Plays, particularly how sound and its absence functions in the plays to evoke and embody the simultaneous precarity and immutability of Black being, and of Black queer being specifically.
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Negative Research: Sonic Methods in Geography and Their Limits

Professional Geographer, 2020
Key Macfarlane
exaly  

Sonic geographies

Progress in Human Geography, 2014
Michael Gallagher, Jonathan Prior
exaly  

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