Results 161 to 170 of about 578,468 (180)
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Negative Research: Sonic Methods in Geography and Their Limits

The Professional Geographer, 2019
Sound has received much attention from human geographers in recent years. This article opens a debate around the growing body of work on sound as a research method.
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Listening for Geographies: Music as Sonic Compass Pointing Toward African and Christian Diasporic Horizons in the Caribbean

Black Music Research Journal, 2012
I met my partner in Haiti while I was doing field research on Vodou and music. At the time he was a sound tech for his sister's band, Boukman Eksperyans. We were introduced at the Rex Theater in downtown Port-au-Prince, right on the stage, a few hours before the show.
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Listening for Geographies: Music as Sonic Compass Pointing Towards African and Christian Diasporic Horizons in the Caribbean

2012
Can musical sounds reveal history, or collective identity, or new notions of geography, in different ways than texts or migrating people themselves? This essay offers the idea that the sounds of music, with their capacity to index memories and associations, become sonic points on a cognitive compass that orients diasporic people in time and space ...
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Geographies of sonic intersections : mapping Black and Indigenous women's rap music and activism in Cali (Colombia) and Oaxaca (Mexico)

This thesis offers a critical study of rap/urban music by Black and Indigenous women in Cali, Colombia, and Oaxaca, Mexico, from a geographical perspective. Specifically, it focuses on the work of Afro-Colombian singer Cynthia Montaño from Cali, Colombia and Zapotec rappers Mare Advertencia, Yadhii (YBOZ) and Doma Press from Oaxaca, Mexico.
Villanueva Martínez, María Del Pilar   +1 more
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"Des essais de son": Sonic Geographies of Racial Capitalism in Med Hondo's Soleil Ô

L'Esprit Créateur
Abstract: Through a historically situated close reading of Mauritanian-French filmmaker Med Hondo's first feature-length film, Soleil Ô (1970), this article traces the development of a deeply inventive, decolonial form of audiovisual critique that retains its analytical and affective force. The analytic framework of racial capitalism, I propose, makes
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Black Queer Cosmologies, Sonic Geographies, and Embodied Entanglement in Tarell Alvin McCraney’s The Brother/Sister Plays

Modern Drama
This paper examines the sonic landscape of Tarell Alvin McCraney’s triptych The Brother/Sister Plays, particularly how sound and its absence functions in the plays to evoke and embody the simultaneous precarity and immutability of Black being, and of Black queer being specifically.
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