Results 161 to 170 of about 578,468 (180)
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Negative Research: Sonic Methods in Geography and Their Limits
The Professional Geographer, 2019Sound has received much attention from human geographers in recent years. This article opens a debate around the growing body of work on sound as a research method.
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Black Music Research Journal, 2012
I met my partner in Haiti while I was doing field research on Vodou and music. At the time he was a sound tech for his sister's band, Boukman Eksperyans. We were introduced at the Rex Theater in downtown Port-au-Prince, right on the stage, a few hours before the show.
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I met my partner in Haiti while I was doing field research on Vodou and music. At the time he was a sound tech for his sister's band, Boukman Eksperyans. We were introduced at the Rex Theater in downtown Port-au-Prince, right on the stage, a few hours before the show.
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2012
Can musical sounds reveal history, or collective identity, or new notions of geography, in different ways than texts or migrating people themselves? This essay offers the idea that the sounds of music, with their capacity to index memories and associations, become sonic points on a cognitive compass that orients diasporic people in time and space ...
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Can musical sounds reveal history, or collective identity, or new notions of geography, in different ways than texts or migrating people themselves? This essay offers the idea that the sounds of music, with their capacity to index memories and associations, become sonic points on a cognitive compass that orients diasporic people in time and space ...
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This thesis offers a critical study of rap/urban music by Black and Indigenous women in Cali, Colombia, and Oaxaca, Mexico, from a geographical perspective. Specifically, it focuses on the work of Afro-Colombian singer Cynthia Montaño from Cali, Colombia and Zapotec rappers Mare Advertencia, Yadhii (YBOZ) and Doma Press from Oaxaca, Mexico.
Villanueva Martínez, María Del Pilar +1 more
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"Des essais de son": Sonic Geographies of Racial Capitalism in Med Hondo's Soleil Ô
L'Esprit CréateurAbstract: Through a historically situated close reading of Mauritanian-French filmmaker Med Hondo's first feature-length film, Soleil Ô (1970), this article traces the development of a deeply inventive, decolonial form of audiovisual critique that retains its analytical and affective force. The analytic framework of racial capitalism, I propose, makes
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Modern Drama
This paper examines the sonic landscape of Tarell Alvin McCraney’s triptych The Brother/Sister Plays, particularly how sound and its absence functions in the plays to evoke and embody the simultaneous precarity and immutability of Black being, and of Black queer being specifically.
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This paper examines the sonic landscape of Tarell Alvin McCraney’s triptych The Brother/Sister Plays, particularly how sound and its absence functions in the plays to evoke and embody the simultaneous precarity and immutability of Black being, and of Black queer being specifically.
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Sounding Out Borderscapes: A Sonic Geography of the US–Mexico Border at Otay Mountain, California
Geopolitics, 2023openaire +1 more source
‘an invented distance’: folk songs, sonic geographies and the Erl-King’s greenwood
2022openaire +1 more source

