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Thrash metal, del sonido al contenido: Origen y gestación de una contracultura chilena (‘Thrash metal, from sound to content: Origin and development of a Chilean counterculture’), Maximiliano Sánchez Mondaca (2014)

, 2020
Review of: Thrash metal, del sonido al contenido: Origen y gestación de una contracultura chilena (‘Thrash metal, from sound to content. Origin and development of a Chilean counterculture’), Maximiliano Sánchez Mondaca (2014)Santiago: RIL Editores, 170 ...
Christian Keough
semanticscholar   +1 more source

“Al Sonido del Huehuetl”: Situating Danza Azteca as Family Translingual Prayer and Civic Engagement

Journal of Language, Identity & Education
Despite growing Indigenous Latine/x immigrant populations, Indigenous Latine/x parents’ and families’ diverse forms of involvement across schools and communities continue to be absent from greater discourses in education.
Cati V. de los Ríos
semanticscholar   +1 more source

Sound representations in preschool students / Las representaciones del sonido en estudiantes de educación preescolar

Infancia y Aprendizaje, 2019
Studies of the representations that students construct, within the framework of embodied cognition, have shown that perception, action and cognition are linked and are the basis of these representations.
Elena Calderón-Canales   +2 more
semanticscholar   +1 more source

Sonidos Negros

2018
How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, between 1492—when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus’s landing on Hispaniola—and 1933—when Andalusian poet Federico García
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Percepción del sonido

2009
El hecho de que un evento sonoro pueda ser percibido, presupone la existencia de una cadena sencilla de efectos. Una fuente sonora genera vibraciones de pequena amplitud en el aire que la rodea y, debido a la compresibilidad y a la masa del aire, estas se propagan y llegan al oido del auditor.
Michael Möser, José Luis Barros
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